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* Free Ebook The Medieval British Literature Handbook (Literature and Culture Handbooks)From Bloomsbury Academic

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Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. Written in clear language by leading academics, they provide an indispensable introduction to key topics, including:

• Introduction to authors, texts, historical and cultural contexts

• Guides to key critics, concepts and topics

• An overview of major critical approaches, changes in the canon and directions of current and future research

• Case studies in reading literary and critical texts
• Annotated bibliography (including websites), timeline, glossary of critical terms.

The Medieval British Literature Handbook is an accessible and comprehensive introduction to literature and culture in the Middle Ages, focusing particularly on Middle English and the period from 1300-1500.

  • Sales Rank: #3194173 in Books
  • Published on: 2009-08-25
  • Released on: 2009-08-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .68" w x 6.14" l, 1.10 pounds
  • Binding: Paperback
  • 328 pages

Review
"This breathtakingly encyclopaedic volume breaks the mould of usual pedagogical approaches to medieval British literature. The emphasis is very much on the recent representation of the field: how it has been refracted and constructed through its influential critics over the past thirty years. Entries on key concepts in twentieth-century critical theory importantly demonstrate that both medievalists and modernists inhabit the same critical continuum of reading and arguing about texts. The unique overlapping structure of the chapters means that the volume's contributing scholars revisit the same territory from different perspectives, ensuring that views on such topics as feminist, postcolonial and psychoanalytic criticism, The Book of Margery Kempe, romance, Lollardy and religious writing are not only multifaceted but also engage student readers in processes of active discrimination." - Professor Ruth Evans, Department of English Studies, University of Stirling, UK.

"Rivalling a medieval summa in its encyclopaedic scope and glittering specificity, The Medieval British Literature Handbook presents Middle English literature in all of its variegated, hybrid, and genre-bending allure. Just as valuably, from its case studies in criticism to its suggested "Web Quests" for students, the Handbook documents the imaginative and highly interdisciplinary scholarship that Middle English literature has inspired and continues to generate, even as it situates the excitement of medieval studies today along a shifting and permeable boundary between the global cultures of the Middle Ages and the twenty-first century. With The Medieval British Literature Handbook, the "New Middle Ages" has truly arrived!" - Professor Martha Rust, Department of English, New York University, USA.

"Kline has assembled an exciting array of both new voices and respected eminent scholars in this thought-provoking and sophisticated—though accessible—gateway to studying medieval British literature. Destined to appeal to students of varying levels, as well as to their professors, the volume demonstrates that there is no monolithic way of reading and interpreting the literature of late medieval Britain. Students are ably led by the energetic and engaged essayists in this unique volume to think in complex ways about theory and medieval literature. The volume invites us to understand both the cultural milieu and the history of its criticism to apprehend medieval literature with some nuance. By providing both vital historical and cultural contexts and explaining the range of current and past critical ways of approaching medieval texts, as well as identifying the major voices in each critical position, Kline and his contributors have offered a clear and valuable guide to how we talk about medieval literature, what questions we might ask, and why. It is at once a handbook of literary theory, its development, and its relationship to medieval literature, and a general literary history of medieval British literature. With some key critical positions, post-colonial theory, for example, discussed from the perspective of several contributors, this cornucopeia of perspectives enriches the texts under consideration and their modern readers. The various chapters accumulate in a deep and satisfying non-linear analysis of how medieval literature is framed and interpreted. The incisive chapter by John Ganim alone justifies having the entire book. This well-conceived work is bound to enhance any medieval British literature course."
- Professor Christine M. Rose, Portland State University, USA

"This breathtakingly encyclopaedic volume breaks the mould of usual pedagogical approaches to medieval British literature. The emphasis is very much on the recent representation of the field: how it has been refracted and constructed through its influential critics over the past thirty years. Entries on key concepts in twentieth-century critical theory importantly demonstrate that both medievalists and modernists inhabit the same critical continuum of reading and arguing about texts. The unique overlapping structure of the chapters means that the volume’s contributing scholars revisit the same territory from different perspectives, ensuring that views on such topics as feminist, postcolonial and psychoanalytic criticism, The Book of Margery Kempe, romance, Lollardy and religious writing are not only multifaceted but also engage student readers in processes of active discrimination." - Professor Ruth Evans, Department of English Studies, University of Stirling, UK.

"Rivalling a medieval summa in its encyclopaedic scope and glittering specificity, The Medieval British Literature Handbook presents Middle English literature in all of its variegated, hybrid, and genre-bending allure. Just as valuably, from its case studies in criticism to its suggested “Web Quests” for students, the Handbook documents the imaginative and highly interdisciplinary scholarship that Middle English literature has inspired and continues to generate, even as it situates the excitement of medieval studies today along a shifting and permeable boundary between the global cultures of the Middle Ages and the twenty-first century. With The Medieval British Literature Handbook, the “New Middle Ages” has truly arrived!" - Professor Martha Rust, Department of English, New York University, USA.

About the Author
Daniel T. Kline is Associate Professor of English at the University of Alaska, Anchorage, USA. He is editor of the Electronic Canterbury Tales.

Most helpful customer reviews

0 of 1 people found the following review helpful.
A treasure trove of information, and a very highly recommended read
By Midwest Book Review
Literature has always proved a powerful force and mirror of history. "The Medieval British Literature Handbook" looks back into history at the literature of thirteenth to sixteenth century Britain and the major works of the period which offer insight into the culture of the period. Daniel T. Kline offers scholarly insight into the literature of the period and how the roots of this era ring true into literature of the years afterwards. A complete and comprehensive study guide, "The Medieval British Literature Handbook" is a treasure trove of information, and a very highly recommended read.

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This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

  • Sales Rank: #1931477 in Books
  • Brand: Brand: Bloomsbury Academic
  • Published on: 2002-05-22
  • Released on: 2002-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .18" w x 5.25" l, .24 pounds
  • Binding: Paperback
  • 96 pages
Features
  • Used Book in Good Condition

Review
"Study Aids Get Chic
Concerned about keeping up at the book club? Stuck for something to say when dinner party talk turns to Zadie Smith? Or no time to read Captain Corelli’s Mandolin before the movie comes out? Never fear, cool new study aids are here in the form of Continuum Contemporaries....The Novel Approach, a series of handy readers’ guides to contemporary fiction. Launching in September, with further waves in January and May 2002, they’re much slicker than the frumpy cheat-aids of yore, including everything from website links to review buzz, and deliberately featuring new novels such as Bridget Jones’s Diary, The Shipping News, Trainspotting, and even the Harry Potter books." —Time Out (London)

"A brilliant idea—short, perceptive books which tell you what you need to know about some of the most vibrant and challenging writing around today—a bit like having a reading group in your pocket."—Ian Rankin

"The series comes as near to squaring various circles - popular / academic, 'good read' / 'classic Lit', novel / film of the book as any I know. And at best it goes a fair way towards reshuffling those categories and redrawing the boundaries. With the first volume, I was relieved. After two or three, I was hooked.

The books are invaluable for gathering out-of-the-way or ephemeral comment from TV and radio interviews and the web as well as from literary reviews.

Refreshingly upfront and up-to-date…

Given the space, there are remarkably balanced film/novel comparisons of the most well-known examples…

An important feature is the fully referenced bibliographies, including reviews and copious website addresses - the latter ranging from fanzines and authors' and publishers' own sites to academic discussion lists and online journals.

In method as in subject matter, these guides move freely on the interface between print culture and multimedia. Highly finished and pleasantly handleable as books in their own right, they gesture accommodatingly to both words and worlds beyond.

Taking the series as a whole, it also confirms two things: that narrative nowadays is generically highly hybrid and increasingly cross-media; and that an understanding of the processes of writing and reading 'contemporary classic' (or at least 'currently famous') fiction cannot be separated - yet must be distinguished - from the processes of making and marketing books and films."
— The Times Higher Education Supplement, May 31, 2002

From the Publisher
This is an excellent guide to David Guterson’s prize-winning novel. It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you’re studying this novel, reading it for your book club, or if you simply want to know more about it, you’ll find this guide informative and helpful.

About the Author
Jennifer Haytock teaches American Literature at the University of Illinois in Springfield. She has published articles on Ernest Hemingway and Thornton Wilder.

Most helpful customer reviews

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A considered and intelligent piece of writing
By A Customer
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It is a fantastic book. I actually saw the movie before I ...
By SM
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Jumat, 24 April 2015

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This work details practical topics such as directing, acting, design, lighting, sound, voice, wig and prop-making, to historical surveys raging from black theatre to gay and lesbian theatre; from pantomime, experimental theatre, theatre-in-the-round to architecture, funding, drag and circus.

  • Sales Rank: #4176254 in Books
  • Brand: Brand: Continuum International Publishing Group
  • Published on: 2000-10
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 2.22" h x 7.70" w x 9.94" l,
  • Binding: Hardcover
  • 928 pages
Features
  • Used Book in Good Condition

From Library Journal
Chambers, former literary manager of the Royal Shakespeare Company and now at De Montfort Univ., Leicester, U.K., has brought together over 2500 entries that range widely over theater in the last century. The text serves well as a jumping off point, giving satisfactory information to readers seeking short answers (e.g., "What was the Hedgerow Theatre?"). In addition, topics are covered here that might otherwise prove elusive, as in the informative entry "Portuguese-Speaking African Theatre," found by first looking up Mozambique. However, even at its steep retail price, this book lacks illustrations, and given its vast scope and its limitations as a single volume, shortcomings are inevitable. For example, there is no entry for "Palestinian Theatre"; only upon looking up "Arab Theatre" can one find the appropriate article on "Middle East and North Africa" among the subheadings. Ngaio Marsh, an outstanding New Zealand theatrical figure, receives no mention, but one can learn about Jamaican playwright Una Marson. The entry on Noel Coward is significantly shorter than that on Federico Garcia Lorca, though both are major figures. The bibliographies attached to many articles are very brief (author, title, year published) and are not meant to be comprehensive; one can find as much or more while browsing any university online catalog. On the plus side, a particular highlight is the collection of articles throughout written by practicing theater professionals: Arnold Wesker on playwrighting, Ben Kingsley on preparing a part, Daniel Massey on performing Shaw, etc. All in all, as with so many one-volume encyclopedic works, this is a valuable but uneven work. Recommended for public and smaller academic libraries. Susan L. Peters, Univ. of Texas, Galveston
Copyright 2002 Cahners Business Information, Inc.

From Booklist
This theater companion features more than 2,500 alphabetically arranged entries on a broad array of stage-related topics. Although the emphasis is on English-speaking theater in the twentieth century, the scope is surprisingly comprehensive. Entry types include people, companies, countries, branches of theater making, trends, genres, definitions, and historical surveys. The objective is to "define theater broadly and as a live and continuing activity." The geographical scope spans five continents, and the 280 contributors hail from 20 different countries.

Entries vary in length from a few sentences to several pages, with the majority accompanied by a brief list of monographs to open the door to further research. A "Selective Reference Bibliography" also appears at the beginning of the book. There is no index, though there are cross-references. The lack of an index and of entries for individual plays means that in order to read about Who's Afraid of Virginia Woolf? for example, one would have to recall that the playwright is Edward Albee and go to his entry.

This work differs from other single-volume theater reference works because of the diversity of its contributors. Whereas coverage is similar in scope to The Cambridge Guide to Theatre (Cambridge, 1995), the latter features only entries written by scholars. Continuum offers not only entries by scholars but additional boxed entries written by active professional theater insiders, including voice teacher Cicely Berry, lighting designer Jennifer Tipton, and actress Billie Whitelaw. The result is a less academic, more interesting style than the typical reference work. Although there is overlap, Continuum covers a wider geographic terrain than the Concise Oxford Companion to the Theatre (Oxford, 1992) and is more contemporary. Only in the Continuum volume, for example, are there entries on digital performance and the Internet.

Libraries with active theater collections will want this lively addition, but the price may be a bit steep for those already owning the Cambridge or Oxford volumes. Recommended for academic and public libraries with strong theater collections. RBB
Copyright © American Library Association. All rights reserved

Review
'An invaluable, encyclopedic work of research and a thought-provoking introduction to the world of theatre' RICHARD EYRE 'The book succeeds in making us aware of the multifarious aspects of modern theatre political and sexual, as well as artistic.' The Stage

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Continuum Encyclopedia of Popular Music of the World Part 1 Media, Industry, Society: Volume I (Volume 1)From Brand: Bloomsbury Academic

‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill

The first comprehensive reference work on popular music of the world

Contributors are the world's leading popular music scholars

Includes extensive bibliographies, discographies, sheet music listings and filmographies.

Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

For more information visit the website at: www.continuumpopmusic.com

  • Sales Rank: #375235 in Books
  • Brand: Brand: Bloomsbury Academic
  • Published on: 2003-01-30
  • Released on: 2003-01-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.13" h x 2.08" w x 7.62" l, 3.93 pounds
  • Binding: Hardcover
  • 832 pages
Features
  • Used Book in Good Condition

Review
"This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume." — Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill


"These first two volumes (of a projected 12) portend great things for the set. Among the 250 contributors are most of the leading scholars, musicians, and journalists in popular music studies. Nearly 20 years in the making, the encyclopedia responds to a need for a comprehensive approach to popular music, one that would give due attention to non-Anglo-American musics. To that end, much thought was devoted to the taxonomy and layout of each volume. Rather than simply listing entries alphabetically, each volume presents broad topics in some detail, with indexes in each volume to bring subjects together. An important…addition to the canon of popular music studies. Highly recommended." -Choice (CHOICE)

About the Author
John Shepherd is a well-respected author and editor-in-chief of Ultrafit magazine. He has written numerous titles for Bloomsbury including Complete Guide to Sports Training, Shape Up!, 101 Fitness Drills and 101 Athletics Drills.

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Selasa, 21 April 2015

** Free Ebook Heidegger: A Guide for the Perplexed (Guides for the Perplexed), by David R. Cerbone

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Heidegger: A Guide for the Perplexed (Guides for the Perplexed), by David R. Cerbone

Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Martin Heidegger is one of the twentieth century's most influential, controversial and challenging philosophers. His Being and Time is a landmark text in modern philosophy, required reading for anyone studying Continental thought. However, the concepts encountered in Heidegger are intricate and frequently confusing, while the language through which they are articulated is deliberately dense and obscure. Heidegger: A Guide for the Perplexed is a thorough, cogent and reliable account of Heidegger's philosophy, ideal for the student who needs to reach a sound understanding of this complex and important thinker. The book covers Heidegger's oeuvre in its entirety, offering not only exposition of Being and Time, but also his later work. His perspectives on, and contributions to, both ontology and phenomenology are explored in full, as is the concept of Dasein, Heidegger's term for the human way of existence. Geared toward the specific requirements of students who need to reach a sound understanding of Heidegger's philosophy, this is the ideal companion to the study of this most influential and challenging of twentieth century philosophers.

  • Sales Rank: #565774 in Books
  • Brand: Brand: Continuum
  • Published on: 2008-08-19
  • Released on: 2008-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .41" w x 5.50" l, .56 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review
"Cerbone's book is unique among introductions and companions to Heidegger. Instead of trying to explain every detail of the text, he examines wide swathes of Heidegger's thought, giving the reader an overview of what is best in that thinker's work. His interpretations are so vivid, insightful and clear-headed, they will be of interest to advanced readers as well as to beginners and nonspecialists. A remarkable achievement." - Professor Charles Guignon, University of South Florida, USA

Mention —Book News, November 2008

Mention –Book News, November 2008

About the Author
David R Cerbone is Associate Professor of Philosophy at West Virginia University.
He is the author of Understanding Phenomenology, as well as numerous articles on Heidegger, Wittgenstein, and the analytic and Continental traditions in twentieth century philosophy.

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18 of 19 people found the following review helpful.
Revel in perplexity, eliminate confusion...
By ewomack
Martin Heidegger shocked the world twice. The first time occurred in 1927 with the publication of his earth-shattering "Being and Time." This book contained an entirely new conception of human existence, a reformulation of phenomenology, and an attempt to reorient the Western philosophical tradition. It made Heidegger's name in academia as well as Germany. His second shock in many ways overshadowed the first. Hans-Georg Gadamer, who studied with Heidegger, remembered wondering how such as thing was even possible. In 1933, following the naming of Adolph Hitler as German Chancellor, Heidegger joined the Nazi party. He remained a member to the end of its existence. Along the way he informed on colleagues and developed delusions of grandeur. He apparently desired the role of philosopher king to the new Reich. To top it off, he also informed on his mentor Edmund Husserl, who was Jewish. Heidegger practically owed his career to Husserl's patronage. As the years went on Heidegger never apologized or even seemed remorseful about his Nazi years. All the way up to his death in 1976 he said nothing. Many thought that he also felt nothing. The head scratching continues to this day.

"Heidegger: A Guide for the Perplexed" seems a suitable title for any approach to Heidegger's life or philosophy. The man's life and politics remain a frustrating snafu of incomprehension. His philosophy equally so, or so it's reputed. This book deals with only one Heideggarian perplexity: his philosophy. Nazism receives a single parenthetical mention. Those seeking biographical tidbits or juicy controversial talk about politics will find nil. Those wanting a clear, in depth, and accessible overview of Heidegger's philosophy will find just that in these 178 pages. Many books already exist about Heidegger's rather stained and nearly inhuman political past. This isn't one of them.

The book begins with an apt and enlightening reflection on perplexity. Heidegger's philosophy invites and even encourages perplexity, and the author warns against trying to do away with perplexity altogether when reading Heidegger. Perplexity is the point. One of the goals of "Being and Time" is to reorient us with our being. If honestly facing our being doesn't result in perplexity, nothing will.

The book's first part runs through the main themes of "Being and Time." It all begins with the strange word "Da-sein." Da-sein has two main characteristics: 1. it's a being for whose being is an issue for it and 2. it's a being that holds the key to the meaning of being. We all, as Da-seins," have a sense that "something's up" when it comes to our "being." But what? To facilitate exploration, Heidegger builds on Husserl's conception of phenomenology, but reorients it away from "pure consciousness" towards a hermeneutic interpretation of Da-sein's "everydayness." This results in an examination of the "world," which presents Da-sein with many "useful things." We are connected to this world, joined to it inexorably (this idea flies in the face of traditional philosophical skepticism). Its useful things remain anonymous ("Das Man") which threaten our individuality. When humans take on characteristics of "Das Man" they become "Man-selves" and "inauthentic." We are also "thrown" into existence, meaning we did not choose it. We also orient ourselves with respect to time, especially as we "press into possibilities." Also, Da-sein is never "complete" or "actualized." Death simply means the end of Da-sein, not a resolution. In light of the world that we're thrown into, Da-sein needs to realize itself as a being that "projects itself into possibilities." In this manner Da-sein becomes "authentic" and "resolute." All the details are in the book.

Part Two deals with "The Late Heidegger" (basically, everything following "Being and Time"). This era's glut of material necessitates focusing on only a few aspects. The author chooses ideas that resulted in reformulations of ideas presented in "Being and Time," including the essays "The Origin of the Work of Art," "The Question Concerning Technology," "Building, Dwelling, Thinking," and aspects of a few others. In these essays Heidegger seemed to rethink the conclusions drawn in "Being and Time" as if he found that early work incomplete or in need of rethinking. Nonetheless, his main themes remain roughly the same. The book ends how it began: with perplexity. The author questions Heidegger's duality of "thinking" versus "dwelling." Each involve a different focus on the world, but are simultaneously intertwined with each other. Thinking involves detachment. Dwelling involves absorption. How can they coexist happily? The author leaves the implications of this question to reflection and, appropriately, to perplexity.

"Heidegger: A Guide for the Perplexed" will likely perplex the uninitiated. It's not an easy book. Those completely unacquainted with Heidegger's philosophy should probably look elsewhere and return here to solidify learning. But the book nonetheless remains fairly accessible throughout and determined newcomers just might make it through. Those with backgrounds in philosophy and a loose understanding of Heidegger will find a treasure trove of descriptions and direction. It should prepare such readers for taking a first plunge into "Being and Time" or some of the later essays. As such, it provides an excellent second-level introduction to the perplexing philosophy of Heidegger.

0 of 0 people found the following review helpful.
An excellent text on par with Richard Polt's 'Heidegger'
By Amazon Customer
I'm reading this book again because its worth re reading. It's very accessible and clearly written. The author obviously knows his subject judging by his ability to make Heidegger's complex ideas straight forward and intelligible. The bulk of the book covers 'Being And Time' but Heidegger's later developments are also covered.
An excellent text on par with Richard Polt's 'Heidegger'.

1 of 2 people found the following review helpful.
Steer clear of the Kindle version
By R
This might be a good book, but the kindle version is marred by multiple mis-spellings ("HusserFs" instead of "Husserl's") and missing words (particularly short words like 'an' and 'a'). I suspect someone did a sloppy job scanning the paper version and never followed up with a thorough copy edit.

Even if the conversion to digital was exact, I'm not convinced the author presents this fascinating material in the most compelling way. Though the book starts out in clear, common sense prose, the author jumps into very complex, jargon-laid ('instantiation') discussions with little ramp up. His overview of Phenomenology, in particular, I think, will be very hard to digest unless the reader has already consumed one or two other books on the topic.

Heidegger is never easy. And, in places, this book makes tough concepts tangible. But, overall, I'm not convinced this book is a good place for a beginner to start.

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Freud: A Guide for the Perplexed (Guides for the Perplexed), by Céline Surprenant

Freud: A Guide for the Perplexed is a clear and thorough account of Freud's thought, his major works and theories, providing an ideal guide to the important and complex ideas of this key thinker, who is widely acknowledged as one of the most influential and groundbreaking theorists of the twentieth century. The book introduces all the key freudian concepts and themes and examines the ways in which they intersect with issues in philosophy and literary theory. Geared towards the specific requirements of students who need to reach a sound understanding of Freud's thought, the book also provides a cogent and reliable survey of some of the most important debates surrounding certain psychoanalytic concepts and their "application" outside the clinical domain.

  • Sales Rank: #807641 in Books
  • Published on: 2008-02-28
  • Released on: 2008-05-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .41" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 192 pages

About the Author

Céline Surprenant is Senior Lecturer in French at the University of Sussex. Previous publications on Freud include Freud's Mass Psychology: Questions of Scale (Palgrave Macmillan, 2003) and 'Reading Freud' in The Oxford Guide to the Theory and Practice of Literary Criticism, ed. Waugh (OUP, 2006).

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0 of 1 people found the following review helpful.
Five Stars
By HekinahDegul3
Excellent guide.

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Alexander the Great Failure: The Collapse of the Macedonian Empire (Hambledon Continuum), by John D Grainger

Alexander the Great's empire stretched across three continents and his achievements changed the nature of the ancient world. But for all his military prowess and success as a conqueror, John Grainger argues that he was one of history's great failures. Alexander's arrogance was largely responsible for his own premature death; and he was personally culpable for the failure of his imperial enterprise. For Alexander was king of a society where the ruler was absolutely central to the well-being of society as a whole. When the king failed, the Macedonian kingdom imploded, something which had happened every generation for two centuries before him and happened again when he died. For the good of his people, Alexander needed an adult successor, but he refused to provide one while also killing any man who could be seen as one. The consequence was fifty years of warfare after his death and the destruction of his empire.

The work of Philip II, Alexander's father, in extending and developing the kingdom of the Macedonians was the foundation for Alexander's career of conquest. Philip's murder in 336 BC brought Alexander to the kingship in the first undisputed royal succession on record. Alexander's campaigns achieved unparalleled success and the young king of Macedonia, leader of the Greeks, Pharaoh of Egypt, became Great King of Persia at the age of twenty-five.

  • Sales Rank: #1458983 in Books
  • Published on: 2009-08-11
  • Released on: 2009-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .75" w x 6.19" l, .88 pounds
  • Binding: Paperback
  • 256 pages

From Publishers Weekly
This unconventional and provocative analysis presents Alexander the Great as anything but. The Macedonian conquest was widely detested and resisted in a Persian Empire military historian Grainger describes not as the discordant mélange of peoples depicted in classical Greek accounts, but as the political and economic center of the civilized world. A hubristic dream of world conquest led Alexander to neglect the empire he ruled. He ignored his health to the point of contributing to his early death. He failed to provide an heir, refused to designate an adult successor and eliminated aspirants to that role. His inability to delegate work or responsibility crippled his administrative system. Macedonia was Alexander's fulcrum, but his wars left it so weakened that on his death the kingdom imploded and devoted what energy remained to compounding chaos in Greece. Egypt reasserted its independence and its boundaries. The Seleucid kingdom (founded by Seleukos Nikator, one of Alexander's lesser subordinates) eventually extended from Anatolia to northern India. Seleukos came closest to securing Alexander's imperial heritage. Even before Seleukos's assassination, however, his domain proved difficult to control without the military resources Macedonia had provided Alexander. Alexander's life and conquests may have been extraordinary, but their result was a failed empire whose collapse facilitated the rise of the Roman Republic. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"The kingdom of Macedon had existed since the seventh century BCE, writes military historian Grainger in his swift, certain summary. Claiming its mythic descent from a relative of Heracles, speaking a Greek dialect and surrounded by other important city-states such as Chalkidike and Thessaly, Macedon was overshadowed by the mighty Persian Empire...Grainger tracks the long series of succession crises that ended with the ascent in 359 BCE of educated, opportunistic Philip II, who quickly killed off all rivals and instituted a series of innovations that would render Macedon powerful and rich. He instilled new discipline among cavalrymen, introduced the sarissa, a longer infantry spear, and deployed cunning, effective diplomacy. Philip's murder in 336 brought to the throne his 20-year-old son, Alexander, who immediately embarked on a nine-year campaign to subjugate his neighbors and the Persian Empire. The administration of his conquests was left to ineffectual satraps, and with the death of their charismatic leader in 323, in the absence of a designated heir, the army fell in disarray. Power was seized by Perdikkas, then Antipater, then Antigonos, who declared himself the legitimate successor of Alexander after the decisive battle of Salamis in 306. He was followed by a disastrous series of kinds and the invasion of the Galatians in 279 BCE. Macedonian unity was never again achieved, Grainger asserts, because, 'Alexander's ambition was too great for his people.' Written from the point of view of those subjugated by the Macedonian empire over two centuries, this book offers a unique and significant take on well-worn history." —Kirkus

This unconventional and provocative analysis presents Alexander the Great as anything but. The Macedonian conquest was widely detested and resisted in a Persian Empire military historian Grainger describes not as the discordant mélange of peoples depicted in classical Greek accounts, but as the political and economic center of the civilized world. A hubristic dream of world conquest led Alexander to neglect the empire he ruled. He ignored his health to the point of contributing to his early death. He failed to provide an heir, refused to designate an adult successor and eliminated aspirants to that role. His inability to delegate work or responsibility crippled his administrative system. Macedonia was Alexander's fulcrum, but his wars left it so weakened that on his death the kingdom imploded and devoted what energy remained to compounding chaos in Greece. Egypt reasserted its independence and its boundaries. The Seleucid kingdom (founded by Seleukos Nikator, one of Alexander's lesser subordinates) eventually extended from Anatolia to northern India. Seleukos came closest to securing Alexander's imperial heritage. Even before Seleukos's assassination, however, his domain proved difficult to control without the military resources Macedonia had provided Alexander. Alexander's life and conquests may have been extraordinary, but their result was a failed empire whose collapse facilitated the rise of the Roman Republic. (Feb.) —Publishers Weekly

"Alexander the Great Failure: The Collapse of the Macedonian Empire examines the rise and fall of an empire which rested on the king's absolute authority: when the king failed his empire crumbled. Alexander needed an adult successor, but refused to provide one and even killed potential candidates for the job: the foundations of his empire and their shaky grounds are analyzed here in an outstanding in-depth survey recommended for college-level collections strong in early history." - Diane C. Donovan, Midwest Book Review, January 2008 (Diane C. Donovan)

"Grainger portrays Alexander as the Hellenic version of Genghis Khan, shredding through the delicate fabric of civilization." Reviewed by Alexander Nazaryan in The New Criterion, 2008

Mention in Bryn Mawr Reviews30 September 2008 (Waldemar Heckel, Universsity of Calgary)

The author's puzzling thesis is stated in his book's title: Grainger believes that Alexander the Great was a failure...Grainger's failure to be persuasive in his thesis is compounded by careless book production: misprints, confused chronology, incomprehensible maps, and an inconsistent rendering of foreign personal and place-names into English. Better books about Alexander are available. Summing Up: Not recommended. - E. N. Borza, CHOICE, January 2009 (Negative)

"The kingdom of Macedon had existed since the seventh century BCE, writes military historian Grainger in his swift, certain summary.  Claiming its mythic descent from a relative of Heracles, speaking a Greek dialect and surrounded by other important city-states such as Chalkidike and Thessaly, Macedon was overshadowed by the mighty Persian Empire...Grainger tracks the long series of succession crises that ended with the ascent in 359 BCE of educated, opportunistic Philip II, who quickly killed off all rivals and instituted a series of innovations that would render Macedon powerful and rich.  He instilled new discipline among cavalrymen, introduced the sarissa, a longer infantry spear, and deployed cunning, effective diplomacy.  Philip's murder in 336 brought to the throne his 20-year-old son, Alexander, who immediately embarked on a nine-year campaign to subjugate his neighbors and the Persian Empire.  The administration of his conquests was left to ineffectual satraps, and with the death of their charismatic leader in 323, in the absence of a designated heir, the army fell in disarray.  Power was seized by Perdikkas, then Antipater, then Antigonos, who declared himself the legitimate successor of Alexander after the decisive battle of Salamis in 306.  He was followed by a disastrous series of kinds and the invasion of the Galatians in 279 BCE.  Macedonian unity was never again achieved, Grainger asserts, because, 'Alexander's ambition was too great for his people.'  Written from the point of view of those subjugated by the Macedonian empire over two centuries, this book offers a unique and significant take on well-worn history."  —Kirkus

This unconventional and provocative analysis presents Alexander the Great as anything but. The Macedonian conquest was widely detested and resisted in a Persian Empire military historian Grainger describes not as the discordant mélange of peoples depicted in classical Greek accounts, but as the political and economic center of the civilized world. A hubristic dream of world conquest led Alexander to neglect the empire he ruled. He ignored his health to the point of contributing to his early death. He failed to provide an heir, refused to designate an adult successor and eliminated aspirants to that role. His inability to delegate work or responsibility crippled his administrative system. Macedonia was Alexander's fulcrum, but his wars left it so weakened that on his death the kingdom imploded and devoted what energy remained to compounding chaos in Greece. Egypt reasserted its independence and its boundaries. The Seleucid kingdom (founded by Seleukos Nikator, one of Alexander's lesser subordinates) eventually extended from Anatolia to northern India. Seleukos came closest to securing Alexander's imperial heritage. Even before Seleukos's assassination, however, his domain proved difficult to control without the military resources Macedonia had provided Alexander. Alexander's life and conquests may have been extraordinary, but their result was a failed empire whose collapse facilitated the rise of the Roman Republic. (Feb.) —Publishers Weekly

"Alexander the Great Failure: The Collapse of the Macedonian Empire examines the rise and fall of an empire which rested on the king's absolute authority: when the king failed his empire crumbled.  Alexander needed an adult successor, but refused to provide one and even killed potential candidates for the job: the foundations of his empire and their shaky grounds are analyzed here in an outstanding in-depth survey recommended for college-level collections strong in early history." - Diane C. Donovan, Midwest Book Review, January 2008 (Sanford Lakoff)

Mention in Bryn Mawr Reviews30 September 2008 (Sanford Lakoff)

The author's puzzling thesis is stated in his book's title: Grainger believes that Alexander the Great was a failure…Grainger's failure to be persuasive in his thesis is compounded by careless book production: misprints, confused chronology, incomprehensible maps, and an inconsistent rendering of foreign personal and place-names into English. Better books about Alexander are available. Summing Up: Not recommended. - E. N. Borza, CHOICE, January 2009 (Sanford Lakoff)

About the Author
Dr John D Grainger is a respected historian with a particular reputation for military subjects. His recent publications include Cromwell Against the Scots and The Battle of Yorktown.

Most helpful customer reviews

10 of 12 people found the following review helpful.
enlightenment
By C. Loucks
this is in response to the 2 "1 star reviews". these reviewers obviously missed the point of the book, which was that alexander was a failure at empire building. it was not to say that alexander failed at everything he did. no question, he was a great conqueror, and worthy of admiration. but specifically in empire building is were his failure lies. if he was trying to build something lasting his efforts were self-defeating. an excellent book that helps the open minded form a clearer understanding of this outstanding general. those blinded by hero-worship might not see it for what it is.

4 of 4 people found the following review helpful.
Uneasy lies the head that bears the crown
By Squirr-El
This is the fourth book by this author that I have read recently, and I have developed a high opinion of his work. This book is targeting a more general readership than some of his academic studies (see further reading list below). The book itself is as well written and researched as the previous ones. The Notes however are mainly straightforward citation references, without as much of the in-depth criticism of the sources you find in the academic volumes, though he still gets a few barbs in:
"...on 10 June, 323, he [Alexander], died. Conspiracy theories surround this event: one has it that Antipater organised the assassination all the way from Macedon and involved half the imperial administration in the plot. These can be dismissed as the imaginings of desk-bound historians and over-imaginative novelists"; and he carries on in the footnotes. Philip's death has also attracted attention:
"During the celebration of [his daughter's] marriage Philip was murdered. His assassin was Pausanias, a man who had a grievance against Attalos, the uncle of Philip's new queen, a grievance which Philip had refused to deal with... Pausanias ran off, but was chased and killed by members of Philip's bodyguard. Conspiracy immediately comes to mind, probably unnecessarily. Almost everyone of any note in Philip's family and court has come under suspicion, but the main accused are Alexander, Olympias, Antipater and perhaps Parmenion; and superficially plausible cases can be constructed against all of them. There is even one theory which sees a plot by men of Upper Macedon against domination from the original kingdom. None of the theories stands up very well, and the most that can be said is that no one shed tears at the king's killing.... The fact is that the murderer was Pausanias, a man who had nursed a grievance for a year and had been unable to get redress. His abuser had been Attalos, who was away in Asia and was the uncle of Philip's new wife; Attalos was also the sworn enemy of Alexander. In Pausanias's grievance-filled mind, the only available man on whom he could gain revenge was Philip, who had refused to take action. It cannot have been absent from Pausanias' mind that killing Philip would benefit Alexander; perhaps he expected to get away with it. The question of 'cui bono' used to accuse Alexander, is, given Pausanias' state of mind, irrelevant".

The first chapter covers the history of Macedon from 370-359 BC, before the reign of Philip II. The state has almost collapsed from neighbours taking advantage of succession disputes. Macedon has a blood-soaked history of disputed successions, and Philip no doubt learned important lessons from this, as did Alexander.
Chapters 2-5 cover Philip's establishment of Macedon as a major power, up to his death in chapter 5 during the 'Conquest of Greece'. Alexander shares chapter 5 and has chapter 6 and 7 to himself. Chapters 8-15 cover the period of the first generation of Successors. There are a Conclusion, Notes, Bibliography, Index and 5 pages of maps.

While the book covers the story of the rise of Macedon and its acquisition of an empire, it does focus in particular on the effect this has on Macedon, often lost or ignored in histories of the early Hellenistic period. The problems of succession are also highlighted, and the many deaths that accompany the event, at Philip's, at Alexander's, at the establishment of the regency in Babylon, at the death of the regent, and at the several subsequent kings of Macedon, successful or not. Eventually Antigonos Gonatas marries a surviving female member of the royal house and spends his reign rebuilding Macedon, which as been invaded and divided several times. The Persians also had the same problem, and Philip's control of Greece co-incided with major dynastic upheavals, which meant there was little Persian intervention: "In 338, Artaxerxes III was murdered on the orders of his vizier, Bagoas, who had been one of the commanders of the invasion of Egypt. Bagoas killed off all Artaxerxes' sons as well, except for Arses, who became the new Great King as Artaxerxes IV. Not surprisingly Arses and Bagoas could not work together, and soon Arses and all his sons were also murdered. A distant member of the royal family was placed on the throne as Dareios III. Well warned, Dareios murdered Bagoas". And so it goes. You'd think that a Jacobean playwright would have found some inspiration here.

The problem the empire and its rulers - actual or hopeful - face is administration. Alexander didn't seem to be interested in establishing an administration (or it was too difficult) - Julius Caesar allegedly faced the same problem, and was going off on a Parthian war so he wouldn't have to deal with it, just as Alexander was proposing to invade Arabia. Eventually Seleukos established control of a large part of the former Akhemenid empire and re-established much of their administration.

Page 193: "...It bears repeating that the accession to power of Alexander on the killing of his father in 336 was the first time in two centuries that a royal succession in Macedon did not see a civil war or a collapse of the state, or both. Even then, Alexander had to drive off invaders and indulge in several murders to ensure peace. It is scarcely surprising that Alexander's own death resulted in civil war and political collapse. The problem was repeated on the deaths of Antipater, Kassander, Kassander's sons, Demetrios and Seleukos. Only the horrifying experience of the Galatian invasions and the careful manipulations and innovations of Antigonos Gonatas ensured that his dynasty succeeded in overcoming the problem for the next century.... The problem lay with the Macedonians. Kassander tried to appoint his successor, but his widow then interfered. The Macedonians whom Kassander ruled were those who had not gone overseas, the traditionalists who disliked any innovation. Only their experience of the Galatian invasion - another drastic winnowing process - finally compelled the abandonment of their indulgence in succession disputes. In the meantime they had, by their self-centredness and obduracy, effectively wrecked their own empire". One of Alexander's murders was Attalos - if you have seen Oliver Stone's film, he is the man with the evil grin at the wedding-feast when Philip banishes Alexander. The man being raped by Philip at the feast is meant to be Pausanias, according to some writers.

Further recommended reading by John D. Grainger:
The Cities of Seleukid Syria
The Cities of Pamphylia
The League of Aitolians (Mnemosyne, Supplements)
The Syrian Wars (Mnemosyne, Supplements)
The Roman War of Antiochos the Great (Mnemosyne, Supplements)
Hellenistic and Roman Naval Warfare 336BC - 31BC
Hellenistic Phoenicia
Seleukos Nikator: Constructing a Hellenistic Kingdom

An Aside - the Hellenistic period (Philip and Alexander to Actium) can be confusing, especially when there are both Greek and Roman versions of names. I have found that playing historical board games help in learning names & places. The following are particularly useful for this period.

Sword of Rome (GMT Games)
Successors (GMT Games)
Hannibal (Valley Games)
Julius Caesar (Columbia Games)
Spartacus (Compass Games)
boardgamegeek c*m
boardgameguru c* uk

13 of 21 people found the following review helpful.
Examines the rise and fall of an empire which rested on the king's absolute authority
By Midwest Book Review
ALEXANDER THE GREAT FAILURE: THE COLLAPSE OF THE MACEDONIAN EMPIRE examines the rise and fall of an empire which rested on the king's absolute authority: when the king failed his empire crumbled. Alexander needed an adult successor, but refused to provide one and even killed potential candidates for the job: the foundations of his empire and their shaky grounds are analyzed here in an outstanding in-depth survey recommended for college-level collections strong in early history.

Diane C. Donovan
California Bookwatch

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