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Minggu, 31 Agustus 2014

!! Ebook Free The Merchant of Venice: Shakespeare: The Critical Tradition, Volume 5From Brand: Continuum

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The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.

Sales Rank: #4504959 in Books
Brand: Brand: Continuum
Published on: 2005-05-15
Released on: 2005-05-15
Original language: English
Number of items: 1
Dimensions: 9.42" h x 1.67" w x 6.36" l, 1.93 pounds
Binding: Hardcover
480 pages

Features

ISBN13: 9780826473295
Condition: USED - Like New
Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"Shakespeare, the Critical Tradition" is an immensely useful and important series. As Vickers states, scholarship is in danger of losing the criticism of the previous 150 years because of the amount of modern criticism and the rejection of previous schools of criticism. By bringing together scholarly and performance-based essays from 1775 to 1939, Baker and Vickers assure that this will not happen to the rich and varied history of The Merchant of Venice, and their choices are uniformly excellent. However, this reviewer was quite disappointed with Vickers's preface, which is strongly biased. In a collection such as this, works should be allowed to stand on their own. Vickers instead argues openly and strenuously not only for reading Shylock as a comic villain but also for the claim that one does great damage to the play and to Shakespeare by attempting any other reading. This presumes a specific view of Shakespeare, plays, and characters in general, and a point of criticism with which many readers will not agree. The strident preface may stop some from discovering the riches contained in the rest of the volume. Summing Up: Recommended. Lower-division undergraduates through faculty; general readers." (A Castaldo, Widener University CHOICE)

"'Shakespeare, the Critical Tradition' is an immenselyuseful and important series. As Vickers states, scholarship is in danger oflosing the criticism of the previous 150 years because of the amount of moderncriticism and the rejection of previous schools of criticism. By bringingtogether scholarly and performance-based essays from 1775 to 1939, Baker andVickers assure that this will not happen to the rich and varied history of TheMerchant of Venice, and their choices are uniformly excellent...Summing up:Recommended. Lower-division undergraduates through faculty; general readers." -Choice, March 2006
(CHOICE)

"Shakespeare, the Critical Tradition" is an immensely useful and important series. As Vickers states, scholarship is in danger of losing the criticism of the previous 150 years because of the amount of modern criticism and the rejection of previous schools of criticism. By bringing together scholarly and performance-based essays from 1775 to 1939, Baker and Vickers assure that this will not happen to the rich and varied history of The Merchant of Venice, and their choices are uniformly excellent. However, this reviewer was quite disappointed with Vickers's preface, which is strongly biased. In a collection such as this, works should be allowed to stand on their own. Vickers instead argues openly and strenuously not only for reading Shylock as a comic villain but also for the claim that one does great damage to the play and to Shakespeare by attempting any other reading. This presumes a specific view of Shakespeare, plays, and characters in general, and a point of criticism with which many readers will not agree. The strident preface may stop some from discovering the riches contained in the rest of the volume. Summing Up: Recommended. Lower-division undergraduates through faculty; general readers." (Sanford Lakoff CHOICE)

“’Shakespeare, the Critical Tradition’ is an immenselyuseful and important series. As Vickers states, scholarship is in danger oflosing the criticism of the previous 150 years because of the amount of moderncriticism and the rejection of previous schools of criticism. By bringingtogether scholarly and performance-based essays from 1775 to 1939, Baker andVickers assure that this will not happen to the rich and varied history of TheMerchant of Venice, and their choices are uniformly excellent…Summing up:Recommended. Lower-division undergraduates through faculty; general readers.” -Choice, March 2006
(CHOICE)

About the Author
William Baker is Trustee Professor, Distinguished Research Professor, Department of English and University Libraries, at Northern Illinois University, USA. He is the author/editor of numerous books and his co-authored Harold Pinter: A Bibliographical History and his The Letters of Wilkie Collins were honoured by Choice as the year's most outstanding books (2006 and 2000).Brian Vickers is a Fellow of the British Academy and a Distinguished Senior Fellow in The School of Advanced Study, University of London.

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Wittgenstein's work is notoriously difficult to understand and, at least superficially, deals almost exclusively with obscure and technical problems in logic and the philosophy of language. He once asked rhetorically: "What is the use of philosophy ... if it does not improve your thinking about the important questions of everyday life?". This book explains how Wittgenstein's idea of the value of philosophy shaped his philosophical method and led him to talk and write about the abstruse questions he dealt with in most of his work.

This is not just another introductory overview of Wittgenstein's philosophy. It is one of the few that provide such an overview while also referring constantly to ethics and religion. Moreover, its interpretation of Wittgenstein is far from orthodox, as standard treatments of his work disregard or downplay his claims about what he was doing and why. Duncan Richter takes him at his word, showing the connections between Wittgenstein's aims, the various subjects he worked on (psychology, religion, aesthetics, etc.), and the way in which he worked on them.

Sales Rank: #5702767 in Books
Brand: Brand: Bloomsbury Academic
Published on: 2004-10-31
Released on: 2004-10-31
Original language: English
Number of items: 1
Dimensions: 9.21" h x .50" w x 6.14" l, .81 pounds
Binding: Hardcover
220 pages

Features

Used Book in Good Condition

Review
“Richter has an original and very stimulating approach to Wittgenstein, and his new book will be of interest to specialists and non-specialists alike.” —Professor Cora Diamond, University of Virginia

"Richter's book is smoothly written, draws usefully on a wide variety of secondary sources, and offers an interesting and novel account of the structure of Wittgenstein's writing. A virtue of the book is its placing Wittgenstein's work in the setting of his personal views about culture and value…Those relatively new to Wittgenstein may find the book useful as an orientation to his work, and others may be stimulated by the questions it raises and its exploration of Wittgenstein's remarks on ethics and religion." —Notre Dame Philosophical Reviews, August 2005 (Notre Dame Philosophical Reviews)

'There is much to admire about this book. It has an easy style and without doubt it addresses issues that anyone embarking on a study of Wittgenstein's work ought to get to grips with. Moreover, it discusses — in a very useful way — how we might begin to understand and put into perspective Wittgenstein's views on ethics and religion... this book is a very useful supplement.' ~ Prof. Daniel D. Hutto, Journal of ISSEI (Professor Daniel D. Hutto)

"Richter's book is smoothly written, draws usefully on a wide variety of secondary sources, and offers an interesting and novel account of the structure of Wittgenstein's writing. A virtue of the book is its placing Wittgenstein's work in the setting of his personal views about culture and value…Those relatively new to Wittgenstein may find the book useful as an orientation to his work, and others may be stimulated by the questions it raises and its exploration of Wittgenstein's remarks on ethics and religion." —Notre Dame Philosophical Reviews, August 2005 (Sanford Lakoff)

'There is much to admire about this book. It has an easy style and without doubt it addresses issues that anyone embarking on a study of Wittgenstein’s work ought to get to grips with. Moreover, it discusses – in a very useful way – how we might begin to understand and put into perspective Wittgenstein’s views on ethics and religion… this book is a very useful supplement.' ~ Prof. Daniel D. Hutto, Journal of ISSEI (Sanford Lakoff)

About the Author
Duncan Richter teaches philosophy at the Virginia Military Institute, Lexington, Virginia.

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Sabtu, 30 Agustus 2014

* Download Aesthetics and Painting (Bloomsbury Aesthetics), by Jason Gaiger

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Aesthetics and Painting introduces and opens up current debates and ideas in the aesthetics of painting. At the book's center is an investigation of the complex relationship between what a painting depicts and the means by which it is depicted. The book looks at: how and why painting may be distinguished from other art forms; the relationship between the painted surface and the depicted subject; the "rules of representation" specific to painting; abstract art and nonrepresentational painting; the most recent technological and aesthetic developments and their implications; the role of the artist--and that of the spectator. A sophisticated treatment of major ideas in art and philosophy, Aesthetics and Painting remains highly readable throughout, offering a clear and coherent account of the nature of painting as an art form.

Sales Rank: #2730452 in Books
Brand: Brand: Continuum
Published on: 2008-12-23
Released on: 2008-12-23
Original language: English
Number of items: 1
Dimensions: 8.20" h x .70" w x 5.40" l, .60 pounds
Binding: Paperback
192 pages

Features

Used Book in Good Condition

Review
"This book shines a much needed clear, intelligent light on the central questions of the meaning and value of painting, proving that philosophy and art can know and illuminate one another." — John Armstrong, Melbourne University, Australia

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“This book shines a much needed clear, intelligent light on the central questions of the meaning and value of painting, proving that philosophy and art can know and illuminate one another.” – John Armstrong, Melbourne University, Australia

About the Author
Jason Gaiger is Lecturer in Contemporary Art History and Theory at the University of Oxford, UK. His publications include Frameworks for Modern Art (Yale, 2004), an English edition of Herder's Sculpture (Chicago, 2002) and, as co-editor, Art in Theory: 1815-1900 and Art in Theory: 1648-1815 (Blackwell,1998 and 2000).

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>> Fee Download Encyclopedia of British and Irish Political Organizations: Parties, Groups And Movements Of The 20Th Century, by Peter Barberis

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This major, authoritative reference work embraces the spectrum of organized political activity in the British Isles. It includes over 2,500 organizations in 1,700 separate entries. Arrangement is in 20 main subject sections, covering the three main political parties (Labour, Conservative and Liberal Democrat), prefaced by extended general essays and brief annotated bilbiographies, together with other areas such as the far right, the far left, peace campaigns, think tanks, women's groups and ethnic minority movements. There are substantial sections on Ireland (north and south), Scotland, Wales and Europe, each introductd by an historical sketch and overview. The volume inicludes comprehensive cross-referencing, a select chronology of events, an extensive bibliography, and index of organizations and names. "Comprehensive, authoritative and up-to-date. An indispensable guide to British politiics and government." Dennis Kavanagh, University of Liverpool. ". . .will make a most valuable work of reference for teachers, researchers and students of British and European politics. The entries discuss a wide range of parties and movements intelligently. Also, the introductory essays are well written and to the point." Howard Elcock, University of Northumbria at Newcastle. ". . .the section of the Liberal party and on Liberal Democrats has taught me quite a lot I did not previously know. It is certainly well worth a place on my rather over-crowded bookshelves." The Rt. Hon. Lord Jenkins of Hillhead, O.M.

Sales Rank: #9143887 in Books
Published on: 2005-07-26
Released on: 2005-07-26
Original language: English
Number of items: 1
Dimensions: 9.61" h x 1.29" w x 6.69" l, 2.13 pounds
Binding: Paperback
570 pages

Review
'A deeply researched book... the rich network of cross-references, the impressive bibliography and detailed indexes will encourage browsing through the highways and byways of political activity.' LIBRARY REVIEW 'This remarkable work, a model of conciseness and accuracy.' EUROPEAN LIBRARY 'This is a highly satisfying volume for those with even a passing interest in politics who enjoy browsing, as well as for students, academics and political scientists.' THE LIBRARY ASSOCIATION RECORD

About the Author
Peter Barberis, John McHugh and Mike Tyldesley are all at Manchester Metropolitan University, UK.

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Jumat, 29 Agustus 2014

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French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international "star system." Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, GTrard Depardieu, and Juliette Binoche. This volume analyzes these stars' images and performance styles in the context of the French film industry, but also in relation to national culture and society. In the country where Brigitte Bardot and Catherine Deneuve have modeled for Marianne (the effigy of the Republic) and left-wing politicians have held up Jean Gabin as a role model, Vincendeau examines the unusual relationship between French film stars and national identity.Ginette Vincendeau is professor of film studies at the University of Warwick. She is the author and editor of a number of books on cinema.

Sales Rank: #2500539 in Books
Brand: Brand: Bloomsbury Academic
Published on: 2000-12-01
Released on: 2000-12-01
Original language: English
Number of items: 1
Dimensions: 9.21" h x .60" w x 6.14" l, .90 pounds
Binding: Paperback
288 pages

Features

Used Book in Good Condition

Review
"This is a book that will add exciting new dimensions to teaching of and research into French cinema."
- Modern and Contemporary France

"...a welcome complement to existing auteur and historical studies of French film, and a welcome intervention in more general work on stardom...Eminently readable....and extremely useful - and, thanks to the stars themselves, sexy - addition to survey courses on French cinema."
—Screen, Winter 2002

About the Author
Ginette Vincendeau is Professor of Film Studies at the University of Warwick. She is the editor of the BFI/Cassell Encyclopedia of European Cinema, and the author of The Companion to French Cinema (BFI/Cassell 1996) and Pépé le Moko (BFI, 1998).

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1 of 1 people found the following review helpful.
A good reference book.
By John Colaresi
The Amazon description above is an accurate appraisal of this book's contents. The major stars' careers are presented in detail explaining what made them appealing to audiences and critics who were sometimes at odds with each other's evaluations. French stardom is less formal as opposed to Hollywood where actors have entourages and bodyguards. Since this book was published fifteen years ago these actors' freedom to go out unbothered in public except for business-related events is probably restricted today due to the growing numbers of in-your-face photographers and celebrity stalkers.

if you want to know why Brigette Bardot's career was not based solely on her looks and state of undress or what differentiated Alain Delon from Jean Paul Belmondo who were the two top leading men in the 1960's and 1970's and why their stardom dimmed later, you'll find the answers here. Some of these stars mentioned here had success outside of France but in limited degrees due to their trouble speaking English or the roles weren't a good match for their acting style and persona as in the case of Jean Gabin's two films made in Hollywood during WWII. (For more info about Gabin's unsuccessful time in Hollywood, read the author's 'Journeys of Desire', a fine encyclopedia-style book about foreign show biz folks' ups & downs in America.) We're told that silent comedian Max Linder was the world's first film star until Chaplin and other Hollywood funnymen eclipsed him. He later committed suicide and most people today have never seen any of his films, let alone heard of him.

This is a pricey book that needs an update as in Gerard Depardieu's increasingly rowdy behavior and becoming a tax exile in Belgium and granted Russian citizenship by Putin, the second and third events almost a national crisis in the French press, but you will also learn about the history of the French film industry and why these actors have or had long careers.

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Written in response to students' worries over the demands of dealing with a range of complex and unfamiliar concepts, this handy reference book enables readers to grasp the essentials of Islam up to graduate level. It also provides a pool of fascinating information for all who want to extend their general knowledge of Islam - whether for personal or professional reasons.

Sales Rank: #512521 in Books
Published on: 2006-07-18
Released on: 2006-07-18
Original language: English
Number of items: 1
Dimensions: 7.81" h x .28" w x 5.06" l, .30 pounds
Binding: Paperback
132 pages

Review
'These handy reference titles enable students and others to grasp the essentials of religious studies, up to graduate level... also useful and interesting to anyone looking for an overview of the major world religions. All six titles have an easy-to-use alphabetical format and are presented in an attractive and affordable way... written specifically to fill a gap in the educational market.' Publishing News

About the Author

Ron Geaves is Professor of the Comparative Study of Religion at Liverpool Hope University, UK. He is Co-editor of the Journal of Fieldwork in Religion and the Journal of Religions of South Asia.

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Heritage and its preservation is a major concern around the world. In order to establish identities, as well as attracting visitors, the natural and cultural heritage is protected, conserved, managed and interpreted, by families, by cities, by nation stat

Sales Rank: #2581859 in Books
Published on: 2003-06-16
Released on: 2003-06-16
Original language: English
Number of items: 1
Dimensions: 9.21" h x .61" w x 6.14" l, .90 pounds
Binding: Paperback
288 pages

Review
'It is refreshing to find a book by a UK authorcovering heritage interpretation...' 'Howard does much to explore the concept of heritage, its provision, purpose and meaning. The most obvious audience would seem to be undergraduates and Masters students...but Howard also intends to appeal to practitioners in the field.' '...it sets out in an open and accessible way the breadth of the heritage field...it will be a useful addition to the library and will be of interest to people working in a heritage tourism context and for those students planning such a career.' Journal of Heritage Tourism (Janet Dickinson)

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About the Author
Peter Howard was editor of Landscape Research and is the founder and editor of the International Journal of Heritage Studies.

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Sales Rank: #7235244 in Books
Brand: Brand: Continuum International Publishing Group
Published on: 2003-07
Original language: English
Number of items: 1
Dimensions: .66" h x 6.32" w x 9.28" l, .66 pounds
Binding: Paperback
213 pages

Features

Used Book in Good Condition

About the Author
Annie Gurton has worked in the Marketing and PR industries for over a quarter of a century. She now works as a freelance trainer, journalist and editor specialising in public relations.

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This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

Sales Rank: #3983040 in Books
Published on: 2002-06-26
Released on: 2002-06-26
Original language: English
Number of items: 1
Dimensions: 7.57" h x .29" w x 5.35" l, .25 pounds
Binding: Paperback
92 pages

Review
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From the Publisher
This is an excellent guide to Helen Fielding’s genre-defining novel. It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you’re studying this novel, reading it for your book club, or if you simply want to know more about it, you’ll find this guide informative and helpful.

About the Author
Imelda Whelehan teaches English and Women's Studies at De Montfort University. Her publications include 'Overloaded' and 'Modern Feminist Thought'.

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In Iris Murdoch's Ethics: A Consideration of Her Romantic Vision, Megan Laverty draws upon the tradition of 'Philosophical Romanticism' to account for Murdoch's enigmatical quality and her embrace of paradoxical truths. Laverty's provocative, yet accessible, study analyses Murdoch's version of Kant's Copernican Revolution, the centrality of learning and the sublime to Murdoch's redemptive vision, and Murdoch's understanding of philosophy, imagination, freedom, love and art.
Laverty interprets Murdoch's emphasis on humility and attention as a critique of the Romantic emphasis on irony and self-creation. Drawing on a range of literary and philosophical sources, Laverty's study is a testimony to the ongoing significance of Murdoch's contribution to a broad range of contemporary philosophical concerns.

Sales Rank: #3388103 in Books
Brand: Brand: Bloomsbury Academic
Published on: 2007-11-30
Released on: 2007-11-30
Original language: English
Number of items: 1
Dimensions: 9.21" h x .44" w x 6.14" l, .0 pounds
Binding: Hardcover
160 pages

Features

Used Book in Good Condition

Review

'Laverty has taken philosophical discussion of Murdoch a good deal further for us all ... Laverty's book offers a wealth of insight and illumination, both about Murdoch and about the broader issues of continuing philosophical importance to which she links Murdoch's work. Anyone interested in Murdoch's philosophy, but also others with an interest in the wider context in which Laverty locates Murdoch, will find Laverty's book stimulating and fruitful. And it will certainly become an indispensable text for further philosophical work inspired by Murdoch's writings.'

Notre Dame Philosophical Reviews, 2008

'Laverty has taken philosophical discussion of Murdoch a good deal further for us all … Laverty's book offers a wealth of insight and illumination, both about Murdoch and about the broader issues of continuing philosophical importance to which she links Murdoch's work. Anyone interested in Murdoch's philosophy, but also others with an interest in the wider context in which Laverty locates Murdoch, will find Laverty's book stimulating and fruitful. And it will certainly become an indispensable text for further philosophical work inspired by Murdoch's writings.’

Notre Dame Philosophical Reviews, 2008

About the Author
Megan Laverty is Associate Professor of Philosophy and Education at Teachers College, Columbia University.

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Since the seventeenth century liberal thinkers have been interested in the rights of individuals and their capacities to engage as free equals in the political activity of their community. However, as many in the republican tradition have noted, the maintenance of certain types of communities - predicated on broadly shared ethical expectations, modes of communication and patterns of activity - is a precondition of the meaningful exercise of citizenship rights.
This volume presents essays from many of the major names in the field, exploring citizenship from a fresh perspective. After two decades of strident individualism, in the light of claims that the liberal democratic state is under threat of collapse from the forces of globalization, and in the midst of a theoretical debate about the possible and desirable limits of individual autonomy, they argue that it is high time to go beyond the standard concern of what can be ascribed to citizens. We must ask what should be demanded of them, in the name of the protection of liberty, equality and stability.

Sales Rank: #5810224 in Books
Published on: 2004-12-30
Released on: 2004-12-30
Original language: English
Number of items: 1
Dimensions: 9.21" h x .75" w x 6.14" l, .0 pounds
Binding: Hardcover
320 pages

About the Author
Catriona McKinnon is Lecturer in Political Theory at the University of Exeter.Iain Hampsher-Monk is Professor of Political Theory at the University of Exeter.

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