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The New Atheist Novel: Fiction, Philosophy and Polemic after 9/11 (New Directions in Religion and Literature), by Arthur Bradley, Andrew T
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The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything - freedom, individuality, rationality and even a secular experience of the transcendental - that religion seeks to overthrow.
In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.
- Sales Rank: #3463174 in Books
- Brand: Brand: Continuum
- Published on: 2010-04-15
- Released on: 2010-04-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .32" w x 5.50" l, .45 pounds
- Binding: Paperback
- 160 pages
- Used Book in Good Condition
Review
A contentious and well-informed appraisal of four major novelists, whose work deals with the central problems of our times, this clearly-written and clear-headed book is an excellent and timely analysis of the fraught intersections between contemporary fiction, religion, politics and thought. It should be read by all those with an interest in contemporary fiction.
(Robert Eaglestone, Professor of Contemporary Literature and Thought, Department of English, Royal Holloway, University of London, UK)
In comparison to the endless paeans of praise figures such as McEwan, Rushdie and Amis regularly receive, what we have here is an intelligent, critical and highly original re-reading of their work. Probably the most unsettling aspect of this startling book is the suggestion that some of the most central figures in contemporary British literature embody a profound Neo-Conservatism, one which - through its admiration of a rabid 'New Atheism' and a rage against all things Islamic - finds itself in wholesale agreement with the main tenets of the 'War on Terror' . . . I don't think I'll ever read McEwan or Amis quite as innocently again.
(Ian Almond, Professor of Transnational Literatures, Georgia State University, USA)
A timely and important work examining four of the most lionised novelists with an appropriately aporetic eye. (Times Higher Education Supplement)
"This reviewer...was not disappointed in the subject, the writing, the research or the outcome of this study."
-David Rosman, New York Journal of Books
'Arthur Bradley and Andrew Tate's excellent new book The New Atheist Novel is an important contribution to this counter-movement: counter-new-atheist that is, but without being 'religious' itself.' (The Glass)
A contentious and well-informed appraisal of four major novelists, whose work deals with the central problems of our times, this clearly-written and clear-headed book is an excellent and timely analysis of the fraught intersections between contemporary fiction, religion, politics and thought. It should be read by all those with an interest in contemporary fiction.
(Sanford Lakoff)
In comparison to the endless paeans of praise figures such as McEwan, Rushdie and Amis regularly receive, what we have here is an intelligent, critical and highly original re-reading of their work. Probably the most unsettling aspect of this startling book is the suggestion that some of the most central figures in contemporary British literature embody a profound Neo-Conservatism, one which - through its admiration of a rabid 'New Atheism' and a rage against all things Islamic - finds itself in wholesale agreement with the main tenets of the 'War on Terror' . . . I don't think I'll ever read McEwan or Amis quite as innocently again.
(Sanford Lakoff)
A timely and important work examining four of the most lionised novelists with an appropriately aporetic eye. (Sanford Lakoff)
'Arthur Bradley and Andrew Tate’s excellent new book The New Atheist Novel is an important contribution to this counter-movement: counter-new-atheist that is, but without being 'religious’ itself.’ (Sanford Lakoff)
About the Author
Arthur Bradley is Senior Lecturer in Literary and Cultural Studies at Lancaster University, UK. He is the author of Negative Theology and Modern French Philosophy; Derrida's Of Grammatology: A Philosophical Guide and (with Andrew Tate) The New Atheist Novel: Fiction, Philosophy and Polemic after 9/11.Andrew Tate is Senior Lecturer in the Department of English and Creative Writing at Lancaster University, UK.
Most helpful customer reviews
6 of 6 people found the following review helpful.
A powerful and original read
By A reader
Don't be put off by the other two reviews here: both are written from a sense of disappointment that they imagined this book to be an angry attack on Christianity, and then got a sensitive and deeply insightful reading of the idea of atheism in modern literature. Neither seems to have read the introduction, when the writers work through their methodology, and reveal that one of them is an atheist; the other a Christian.
What's fantastic about this book is how well read both writers are: their foundation in literary studies means that they've been able to read widely in both their own subject and theology, philosophy, politics and sociology. This makes for a nuanced and enjoyable read. I wonder also if the other two reviewers didn't really hear the tone of this very subtle analysis. It's unfortunate that readers have to take the views of those they might not agree with so personally. If you approach this book with the open minded spirit in which it's written, you'll enjoy a wonderfully entertaining, informative and careful read.
2 of 2 people found the following review helpful.
A fascinating work of literary criticism
By J.W. Wartick
"The New Atheist Novel" interacts with four modern authors who, the authors (one Christian, one atheist) argue are representative of a new form of novel: the "New Atheist Novel." This novel is a kind of counter-mythology which invents the transcendent within an atheistic universe. Bradley and Tate analyze the work of Ian McEwan, Martin Amis, Philip Pullman, and Salman Rushdie. The authors show how some have shifted their polemic after 9/11 to viewing religion as a kind of one-size-fits all mentality that has no distinction between liberalism and fundamentalism.
Bradley and Tate apply critical theory to the works of fiction presented in this book in incisive fashion. They draw out themes of the authors analyzed in order to show how often they are just as guilty of irrationality as those against whom they pontificate through the voices in their novels.
However, the books usefulness goes beyond simply having one-liners to discuss various authors. Instead, it gives readers a chance to interact with all literature in a critical fashion. Moreover, Bradley and Tate are not entirely unsympathetic to the "New Atheist Novel" and show how it may help to inform future discussions.
This is a book well worth reading and referencing. Don't be deceived by its length; it truly has an enormous amount of useful information and discussion. It will get you thinking, whatever your own view.
5 of 13 people found the following review helpful.
Pure fiction
By Hande Z
The previous reviewer was too kind. This is a work by a couple of literature professors who have an appearent and immense loathing for atheist scientists and philosophers generally, and Richard Dawkins and Daniel Dennet specifically; and who probably had no confidence to attack them on their own turf. Thus this imaginative work of creating an imaginary genre they call "The New Atheist Novel". They studied the works of four authors and condemn with one broad brush, all secular, godless writing after the 11 September attack on America as a sign that atheists have hijacked literature and art and turned them into weapons of mass destruction when the authors were probably thinking only about the mass market. They would have laughed the heads off were they to read how their works are interpreted in the name of religion.
The views expressed by Bradley and Tate could, of course, be genuine literary and academic criticism. Were that the case, the book would have tremendous merit. However, the book, unfortunately, is a totally lop-sided, and biased attack on atheism by attacking novelists who did not write about the greatness of God in their novels as C S Lewis and G K Chesterton had done; and no "New Atheists" had stooped so low as to attack Christianity by attacking the fictional work of the faith's apologists. Bradley and Tate scoff at Ian McEwan for naivety, for (they think) seeming to believe that Mohammed Atta would not have crashed the plane on 11 September if he had put down the Quran and read "Middlemarch" instead. That was not only a misunderstanding of McEwan's position, it also reveals the authors own warped sense of connection - perhaps they think that Saddam Hussein would still be around had Bush put down the Bible and read "Middlemarch" instead?
"The New Atheist Novel" is not a work that compassionate, loving readers would be proud of. Atheists and Christians alike who are fair-minded and are looking for a balanced and rational thesis will be disappointed with this book. The description on the back cover of the paperback edition asks, "What is 'The New Atehist Novel'? How does it dramatise the war between belief and non-belief?" Is there a war? This sort of talk is the talk of the religious right in America. They had declared war on all who are not Christians. War talk is not what humanity should engage in because talk soon leads to action. So much for love and turning the other cheek.
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