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EPZ Positions (Impacts), by Jacques Derrida, Alan Bass
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This new edition of a key, accessible text to the work of the most influential psychoanalytic and literary critic alive today includes a new introduction by Christopher Norris setting these key early interviews in the context of the full trajectory of Derrida's thought.
- Sales Rank: #3735986 in Books
- Published on: 2004-12-23
- Released on: 2004-12-23
- Original language: English
- Number of items: 1
- Dimensions: 7.81" h x .30" w x 5.06" l, .31 pounds
- Binding: Paperback
- 138 pages
Review
"Positions is the best place to start for anyone in search of a compact introduction to Derrida's deconstructive readings of (among others) Plato, Rousseau, Hegel, Marx, Husserl, Heidegger, Freud, and Saussure."
Language Notes
Text: English, French (translation)
From the Inside Flap
Positions is a collection of three interviews with Jacques Derrida that illuminate and make more accessible the complex concepts and terms treated extensively in such works as Writing and Difference and Dissemination. Derrida takes positions on his detractors, his supporters, and the two major preoccupations of French intellectual life, Marxism and psychoanalysis.
The interviews included in this volume offer a multifaceted view of Derrida. "Implications: Interview with Henri Ronse" contains a succinct statement of principles. "Seminology and Grammatology: Interview with Julia Kristeva" provides important clarifications of the role played by linguistics in Derrida's work. "Positions: Interview with Jean-Louis Houdebine and Guy Scarpetta" is a wide-ranging discussion that touches on many of the polemics that Derrida's work as provoked.
Alan Bass, whose translation of Writing and Difference was highly praised for its clarity, accuracy, and readability, has provided extremely useful critical notes, full of vital information, including historical background.
Most helpful customer reviews
1 of 1 people found the following review helpful.
THREE “EARLY” INTERVIEWS WITH THE FOUNDER OF “DECONSTRUCTION”
By Steven H Propp
Jacques Derrida (1930–2004) was a French philosopher and writer, best known for developing a form of semiotic analysis known as “Deconstruction.”
He wrote in the prefatory “Notice” to this 1972 book, “These three interviews, the only ones in which I have ever taken part, concern ongoing publications. Doubtless they form… the gesture of an active interpretation. Determined and dated, this is a reading of the work in which I find myself ENGAGED: which therefore is no more my own than it remains arrested here. This too is a situation to be read, a situation which has governed these exchanges in their actuality, their content, and the form of their enunciations. Thus, no modifications were called for.”
In the first interview, he states, “In what you call my books, which is first of all put in question is the unity of the book and the unity ‘book’ considered as a perfect totality, with all the implications of such a concept… At the moment when such a closure demarcates itself, dare one maintain that one is the author of books, be they one, two, or three? Under these titles it is solely a question of a unique and differentiated textual ‘operation,’ if you will, whose unfinished movement assigns itself no absolute beginning, and which, although it is entirely consumed by the reading of other texts, in a certain fashion refers only to its own writing. We must adjust to conceiving these two contradictory ideas together.” (Pg. 3-4)
He explains, “I try to keep myself at the LIMIT of philosophical discourse. I say limit and not death, for I do not at all believe in what today is so easily called the death of philosophy… To ‘deconstruct’ philosophy, thus, would be to think… the structured genealogy of philosophy’s concepts, but at the same time to determine… what this history has been able to dissimulate or forbid, making itself into a history by means of this somewhere motivated repression.” (Pg. 4)
He states, “I believe that I have explained myself clearly on this subject. ‘Of Grammatology’ is the title of a question: a question about the necessity of a science of writing, about the conditions that would make it possible, about the critical work that would have to open its field and resolve the epistemological obstacles; but it is also a question about the limits of this science.” (Pg. 13)
He observes in the second interview, ”When I speak, not only am I conscious of being present for what I think, but I am conscious also of keeping as close as possible to my thought, or to the ‘concept,’ a signifier that does not fall into the world, a signifier that I hear as soon as I emit it, that seems to depend upon my pure and free spontaneity, requiring the use of no instrument, no accessory, no force taken from the world. Not only do the signifier and the signified seem to unite, but also, in the confusion, the signifier seems to erase itself or to become transparent, in order to allow the concept to present itself as what it is, referring to nothing other than its presence.” (Pg. 22)
He says, “On the one hand, expressivism is never simply surpassable, because it is impossible to reduce the couple outside/inside as a simple structure of opposition. This couple is an effect of diférance, as is the effect of language that impels language to represent itself as expressive re-presentation, a translation on the outside of what was constituted inside. The representation of language as ‘expression’ is not an accidental prejudice, but rather a kind of structural lure, what Kant would have called a transcendental illusion.” (Pg. 33)
In the third interview, he suggests, “Reading is transformational… But this transformation cannot be executed however one wishes. It requires protocols of reading. Why not say it bluntly: I have not yet found any that satisfy me.” (Pg. 63)
He clarifies, “I will say that my texts belong neither to the ‘philosophical’ register nor to the ‘literary’ register. Thereby they communicate, or so I hope at least, with other texts that, having operated a certain rupture, can be called ‘philosophical’ or ‘literary’ only according to a kind of paleonomy… what is the strategic necessity (and why do we call ‘strategic’ an operation that in the last analysis refuses to be governed by a teleo-eschatological horizon?...) … that requires the occasional maintenance of an OLD NAME in order to launch a new concept?” (Pg. 71)
These interviews provide some genuine insights into Derrida’s early books and ideas, and will be of great value to anyone studying his thought and its development.
40 of 43 people found the following review helpful.
he is a monolith, but also a man
By Amazon Customer
positions is a collection of three interviews with derrida, all of which offer a pretty good introduction to his line of thought. this book is a lot better starting point than say, 'of grammatology', its really a lot less intimidating. this is of course because derrida is speaking verbally, 'improvising', and there isnt as much seemingly paradoxical word play. from 'positions' you can get a pretty good idea about what differance, logocentrism, and grammatology are all about. ignore all the criticism of derrida as a reductionist/nihilist who wants to demolish philosophy, he is a brilliant, poetic, innovative man.
2 of 2 people found the following review helpful.
Decent Collection
By Steiner
Positions is a collection of three interviews with the late Jacques Derrida, given after the major works (Writing and Difference, Grammatology) had already been released. This volume is a very helpful introduction to the major concepts Derrida developed-you will come to be acquainted with differance, logocentrism, and the archi-trace. Although this is not the best explication of deconstruction (as it has often been described), there is no doubt that Derrida's casual remarks on his work are elucidative and still creative. The interview with Kristeva is particularly interesting.
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