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Drawing together for the first time original work from international specialists, this book assesses the role and character of comedy and fantasy in colonial societies from India to Ireland, Australia to Cuba, Africa to North America. There are cross-cultural comparisons and consideration of both imperial responses and colonized resistance. The book deals with oral as well as written traditions, the history of comic and fantastic discourse, visual, theatrical and literary representations as well as historical and cultural accounts.
- Sales Rank: #16872230 in Books
- Published on: 2001-07-15
- Released on: 2002-08-01
- Original language: English
- Number of items: 1
- Dimensions: 9.57" h x .94" w x 6.36" l, 1.14 pounds
- Binding: Hardcover
- 224 pages
Review
“What we are presented with here is a collection of essays that address various literary texts which might be understood, in some way or another, to fall under the banner of (post-) colonial writing. … The thirteen essays presented here do, each in their own way, offer insights… Each taken on their own, they are of interest and do raise important questions for the study of literature and its reception. … That said, as a work of reference, to dip in and out of, depending on one’s interest, there is a great deal of value on offer here.” –Calum Neill, Janus Head 7.1, 2004
About the Author
Graeme Harper is Professor of Creative Writing and Director of the National Institute for Excellence in the Creative Industries at Bangor University, UK. He is Editor of New Writing: the International Journal for the Practice and Theory of Creative Writing. His most recent novels are Moon Dance (Parlor, 2008) and Small Maps of the World (Parlor, 2006). His previous book for Continuum was Teaching Creative Writing (Continuum, 2006).
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