Kamis, 17 Maret 2016

! PDF Ebook David Mamet's Oleanna (Modern Theatre Guides), by David K. Sauer

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David Mamet's Oleanna (Modern Theatre Guides), by David K. Sauer

David Mamet is widely considered to be the voice of contemporary American Theatre. His use of what is taken to be realistic language together with minimalist staging creates a postmodern combination that pushes an audience in conflicting directions. The result is that initial audiences for Oleanna were aroused to applaud and loudly react to the ending of the play when a male teacher beats a female student. The issues the play raises about political correctness are turned on their head. Oleanna is a particularly complex play in terms of both form and content and this guide offers a theoretically informed introductory analysis. It provides students with a comprehensive critical introduction to the play and includes new interpretations of the text in light of recent developments in Mamet's playwriting and the intervening shifts in the political landscape.

  • Sales Rank: #3162295 in Books
  • Brand: Brand: Continuum
  • Published on: 2009-03-06
  • Released on: 2009-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.81" h x .27" w x 5.06" l, .30 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Review
"David Sauer has taken a key play in the 20th century canon, and, with critical insight and analytic skills, explained what made it such a key theatrical, but also social and political event. Mamet's Oleanna touched a nerve in American society. Sauer explains just why that was so without forgetting that it is first and foremost a deeply impressive dramatic work." - Professor Christopher Bigsby, School of American Studies, University of East Anglia, UK

Mentioned in The Bookseller, 10 April 2009.

Mentioned in The Bookseller, 10 April 2009.

“David Sauer has taken a key play in the 20th century canon, and, with critical insight and analytic skills, explained what made it such a key theatrical, but also social and political event. Mamet's Oleanna touched a nerve in American society. Sauer explains just why that was so without forgetting that it is first and foremost a deeply impressive dramatic work.” - Professor Christopher Bigsby, School of American Studies, University of East Anglia, UK

About the Author
David K. Sauer is Professor of English at Spring Hill College, USA. He is President of the David Mamet Society and has published widely on Mamet, including David Mamet: A Resource and Production Sourcebook (with Janice Sauer, Praeger, 2003).

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Rabu, 16 Maret 2016

** Get Free Ebook Do The Gods Wear Capes?: Spirituality, Fantasy, and Superheroes (New Directions in Religion and Literature), by Ben Saunders

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Do The Gods Wear Capes?: Spirituality, Fantasy, and Superheroes (New Directions in Religion and Literature), by Ben Saunders

Brash, bold, and sometimes brutal, superheroes might seem to epitomize modern pop-culture at its most melodramatic and mindless. But according to Ben Saunders, the appeal of the superhero is fundamentally metaphysical - even spiritual - in nature. In chapter-length analyses of the early comic book adventures of Superman, Wonder Woman, Spider-Man, and Iron-Man, Saunders explores a number of complex philosophical and theological issues, including: the problem of evil; the will-to-power; the tension between intimacy and vulnerability; and the challenge of love, in the face of mortality. He concludes that comic book fantasies of the superhuman ironically reveal more than we might care to admit about our human limitations, even as they expose the falsehood of the characteristically modern opposition between religion and science. Clearly and passionately written, this insightful and at times exhilarating book should delight all readers who believe in the redemptive capacity of the imagination, regardless of whether they consider themselves comic book fans.

  • Sales Rank: #404411 in Books
  • Brand: Brand: Continuum
  • Published on: 2011-08-04
  • Released on: 2011-08-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .58" w x 5.44" l, .60 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review
‘Ben Saunders sets the bar high for himself when he says at the outset that a book about pop superheroes must be a book about spirituality and therefore about love. That might seem to place an unsupportable weight on the shoulders of Superman, Wonderwoman, Spiderman, and Iron man, but in this learned yet entirely accessible essay, Saunders makes both his thesis and his heroes stand up.’ (Stanley Fish, Davidson-Kahn Distinguished University Professor of Humanities and Law, Florida International University, USA )

‘Ben Saunders has done for comics analysis what Alan Moore did for comics literature. Do the Gods Wear Capes? is a provocative, intelligent, and thought-provoking work, and Saunders’ insights rise from the page with the same power and grace as those iconic characters he examines. Certainly the best critical work on the meaning and impact of those marquee super-heroes that define the genre and that we encounter in myriad ways every day as has ever been written.’ (Greg Rucka, novelist and author of Batwoman: Elegy, White-Out, and Wonder Woman: The Hiketeia )

About the Author
Ben Saunders is Associate Professor of English at the University of Oregon. He is author of Desiring Donne: Poetry, Sexuality, Interpretation (Harvard University Press, 2006) and co-editor, with Roger Beebe and Denise Fulbrook, of Rock Over the Edge: Essays in Popular Music Culture (Duke University Press, 2002).

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11 of 11 people found the following review helpful.
An Excellent Book on the Genre
By Robby Armenti
Sonntag's review notwithstanding, Saunders' book is not a ripoff of Knowles' book. The methodologies of the two books are very different. Saunders engages in long, careful readings of particular characters, and engages the material on a different level than Knowles. His approach is not "speculative" but exploratory; in other words, he isn't try to draw speculative historical connections. Instead, he's trying to READ the comics carefully, through the lens of contemporary theology as well as contemporary literary and cultural theory. In the process he does some startling and VERY interesting work.

So, don't judge this illuminating and useful book by Sonntag's comments. He appears not to have read Saunders carefully. DO THE GODS WEAR CAPES? is an important addition to the critical conversation about superheroes and one of the few rock-solid, well-constructed scholarly books on the genre. It's also quite well written: Saunders has an accessible, trenchant style that lifts his work well beyond that of many treatises on the genre.

If you're intrigued by scholarly discussions of comics, superheroes, popular culture, and/or spirituality, you'll find the book very rewarding. I consider it a must-have for those wanting to do in-depth critical work on superheroes. In the future I'll definitely be using it in my writing and teaching.

8 of 8 people found the following review helpful.
Outracing Bullets and Loving Your Enemies
By Janice Friend
I expected an inaccessible scholarly read, but what I received was a book I couldn't put down, enlightening, entertaining, and challenging. I'm not an academic. This book was written for us all, scholars and just Plain Janes like me.

I have loved the comic book heroes since I was a child. I admired and envied their superhuman ways of being in the world, yet at the same time so wonderfully flawed emotionally. That was part of their appeal for me. That made them much more real and identifiable, beings I could relate to.

Growing up in an emotionally unhealthy home (who didn't?) they helped me escape from reality and dream and imagine. It was harmless and saved me from feeling sorry for myself because I had a way to escape as well, just as they did.

I also was taught in some ways by these same superheroes in ways the originators may or may not have imagined they would influence their readership, yet Saunders recognizes this and articulates it beautifully numerous times and in just one example as follows:
"To take the ethical choice is therefore to commit to a lifelong project; it is not a once-and-for-all decision to 'do the right thing' so much as an endless process of self-examination and self-correction."

It's those kind of sentences that took me to another level of understanding and truly let this 60-year-old woman off the hook and can stop feeling guilty for loving the superheroes, still loving them.

I was constantly surprised by Saunders' insights and every time he expanded a new understanding for me, I felt that wonderful insight rise to the surface, and say yes, yes, that's right. That's exactly right.

Thank you, Professor Saunders, for writing this most enjoyable and erudite book about a subject I've loved most of my life, but which is derided as trite way too often.

Janice Friend

5 of 5 people found the following review helpful.
Soars Above The Competition
By Kindle Customer
The antithesis of shallow fanboy pandering, Saunders' DO THE GODS WEAR CAPES? is a thoughtful, well-reasoned, ultimately satisfying exploration of a surprisingly neglected theme suffusing many superhero comics - spirituality. Applying a chapter-by-chapter analysis of the oft-overlooked moral & ethical aspects of four iconic characters - Superman, Wonder Woman, Spider Man, and Iron Man - Saunders uncovers surprising links between these well-known superhumans and such all-too-ordinary concerns as the terror of vulnerability, the burden of guilt, and the difficulty of love. Potential readers who might be wary of GODS academic tone and at times complex philosophical/theological ruminations are encouraged to leave their doubts at the door - this is an elegantly-described, deeply felt, fascinating journey. One that references everything from the notion that 1973's AMAZING SPIDER-MAN #121 (wherein Peter Parker accidentally killed girlfriend Gwen Stacey while trying to save her) marked the end of "the joyful...so-called Silver Age (of comics) to the more uncertain, pessimistic and cynical Bronze Age," to the theory that a sequence in the first IRON MAN film (wherein Gwyneth Paltrow manually replaces Robert Downey Jr.'s chest-based power unit) can also be read as a near-hardcore sex scene! Obviously the result of a life-long fan who both respects and understands the medium, DO THE GODS WEAR CAPES? is an important work that belongs on the bookshelf - digital or actual - of any serious comic book aficionado.

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Selasa, 15 Maret 2016

# Free Ebook Ethics in Research (Continuum Research Methods), by Ian Gregory

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Ethics in Research (Continuum Research Methods), by Ian Gregory

This book encourages reflection upon the inescapable ethical dimensions of the conduct of research. Gregory explores how ethical concerns inform not only the conduct of research but how they enter into the very decision to engage in a piece of research, the interpretation of data and what is done with research findings. Issues arising from the reflections of the text will be brought to bear upon the character of the researcher, the place (if any) of codes in practice for researchers and whether if in deference to ethical considerations there are limitations upon what can be countenanced in the name of research.

  • Sales Rank: #2387062 in Books
  • Published on: 2003-12-01
  • Released on: 2003-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .20" w x 5.50" l, .30 pounds
  • Binding: Paperback
  • 112 pages

About the Author
Ian Gregory is Lecturer in the Department of Educational Studies at the University of York, UK.

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0 of 0 people found the following review helpful.
Good Perspective Based Book
By K. Bender
Good, quick read. Author puts his own perspective on it. The book is short, less than 80 pages. It's not very useful for citation purposes. It does discuss ethics pertaining to dissertation and research efforts.

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Senin, 14 Maret 2016

@ Download Reshaping the North American Automobile Industry: Restructuring, Corporatism and Union Democracy in Mexico (Routledge Studies in Employment

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Reshaping the North American Automobile Industry: Restructuring, Corporatism and Union Democracy in Mexico (Routledge Studies in Employment

This work examines the responses of unions and workers to regional integration and restructuring in the automobile industry in North and Central America. The focus is on the automobile industry in Mexico, which, because of its size and importance, is viewed as a strategic sector of the Mexican economy and was the focal point of talks between the US, Canada and Mexico during negotiations on NAFTA. Focusing on the period from 1980, John P. Tuman examines the changes implemented by firms to promote export production, he explores reasons for the variation in labour responses to restructuring, and he discusses the prospects for cross-border organizing and co-operation among automobile workers in Canada, the US and Mexico.

  • Sales Rank: #5207243 in Books
  • Brand: Brand: Routledge
  • Published on: 2005-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .50" w x 6.14" l, 1.00 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • ISBN13: 9780826453181
  • Condition: USED - Very Good
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Review
"An excellent book. Tuman is a very fine scholar, the topic is an important one and his work on it is original and interesting.... it will make an important contribution to the literature on the political economy of Latin America, and of labour in development more generally". Jeffry Frieden, UCLA.

About the Author
John P. Tuman is Professor of Political Science at the University of Nevada. Las Vegas.

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Sabtu, 12 Maret 2016

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Black in the British Frame: The Black Experience in British Film and Television Second Edition, by Stephen Bourne

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Black in the British Frame: The Black Experience in British Film and Television Second Edition, by Stephen Bourne

In this updated edition of Stephen Bourne's acclaimed and award-winning study, the author takes a personal look at the history of black people in popular British film and television. He documents, from original research and interviews, experiences and representations which have been ignored in previous media books about people of African descent. There are chapters about Paul Robeson, silent films, soap operas and much more--as well as several useful appendices including award winners and suggestions for further reading.

  • Sales Rank: #3036576 in Books
  • Brand: Brand: Routledge
  • Published on: 2001-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.87" h x .69" w x 6.86" l, 1.35 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
"An invaluable contribution to the subject of blacks in the performing arts."—Lloyd L Brown, author of The Young Paul Robeson

"A valuable book which uncovers an almost hidden history of a wealth of talented men and women."—Film Review

"An important book that should be read by all those concerned about the part we play in British culture."—Pride


"Informative and accessible: the text serves as an indispensable work of reference for anyone with an interest in this crucial area of study."—Dr. Lola Young, Black and Asian Studies Association

"This comprehensive book is an entertaining and affectionate portrait of this century's black performers."—Diva

About the Author
Stephen Bourne is one of Britain's leading authorities on Black history. He has programmed a number of events for the National Film Theatre, including a centenary tribute to Paul Robeson. Stephen has received two awards from the Commission for Racial Equality. He has written for numerous publications including The Voice, The Stage, Black Filmmaker, The Guardian and The Independent, and is author of Black in the British Frame: Black People in British Film and Television 1896-1996 (2nd edition).

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Selasa, 08 Maret 2016

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Teaching English Texts 11-18, by Sue Dymoke

Teaching Texts 11-18 is a book for trainee English teachers, Pgce and Gttp trainees, and those who have recently qualified. This textbook will offer an integrated text-focused approach to teaching the subject of English across the 11-18 age and ability range. The term 'text' will embrace a variety of texts that are at the heart of the English curriculum and debates about literacy, including scripts and spoken texts, poetry, prose fiction, literary non-fiction, media and multi-modal texts.

Teaching Texts 11-18 will explore practical and inclusive ways into teaching many different types of texts. The use of Ict and considerations for working with lower ability and/or gifted and talented students will feature throughout the book.

The book will draw on both creative practices and current research in the fields of literacy, English teaching pedagogy and Ict. It will include interviews and some examples of textual production from professionals working in different textual fields. It will engage with debates about the current and future construction of the English curriculum both in the Uk and in other Anglophone countries. It will support its readers in their professional development as reflective readers and teachers of texts.

  • Sales Rank: #8112421 in Books
  • Published on: 2009-06-30
  • Released on: 2009-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.77" h x .49" w x 7.86" l, .0 pounds
  • Binding: Paperback
  • 208 pages

Review
"Teaching English Texts 11-18 is an excellent introductory manual for new English teachers...[it] offers readers useful insight into the teaching of texts in the English classroom, and it also provides the reader with an overview of many of the themes, issues and pedagogical concerns of the modern day English teacher."Learning and Teaching Update, October 2009

'I don't think - however busy I become - that I will forget about this book. By the time I finished it, I had pages of ideas, a list of websites and the names of short stories and writers that I wanted to start working with immediately.' Changing English

"Teaching English Texts 11-18 is an excellent introductory manual for new English teachers…[it] offers readers useful insight into the teaching of texts in the English classroom, and it also provides the reader with an overview of many of the themes, issues and pedagogical concerns of the modern day English teacher."Learning and Teaching Update, October 2009

About the Author
Sue Dymoke is Reader in Education and Secondary PGCE Course Leader in the School of Education at the University of Leicester, UK

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Senin, 07 Maret 2016

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This is the first comparative study of the work of the philosopher Paul Ricoeur and the psychoanalayst Jacques Lacan. The book explores the conflict between the two thinkers that arose from their differing views of ethics: Ricoeur's universalist stance drew on a phenomenological reading of Kant, whereas Lacan's was a relativist position, derived from a psychoanalytic reading of Freud and de Sade. Ricoeur and Lacan gives a full critical overview of the work of both figures, tracing the origins and development of their principal ideas, and identifying key similarities and differences. Not only a valuable and original addition to the literature on two major thinkers, Ricoeur and Lacan is also an important study of contemporary Continental ethics.

  • Sales Rank: #3616405 in Books
  • Brand: Brand: Bloomsbury Academic
  • Published on: 2007-08-01
  • Released on: 2007-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .44" w x 6.14" l, .92 pounds
  • Binding: Hardcover
  • 172 pages
Features
  • Used Book in Good Condition

Review
To follow

Reviewed by David Pellauer in Notre Dame Philosophical Reviews, May 2008

About the Author
Karl Simms is Senior Lecturer in the School of English at the University of Liverpool. He is the author of Paul Ricoeur in the Routledge Critical Thinkers series (2003).

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