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• Sales Rank: #4502613 in Books
• Published on: 2000-09-13
• Released on: 2000-09-13
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .22" w x 5.50" l, .30 pounds
• Binding: Paperback
• 104 pages

About the Author
Bill Gillham is Honorary Senior Lecturer in the Department of Psychology at the University of Strathclyde, UK, and Visiting Professor at La Salle College of the Arts, Singapore.

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• Sales Rank: #6111378 in Books
• Published on: 2008-01-22
• Released on: 2008-01-22
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .44" w x 6.14" l, .90 pounds
• Binding: Hardcover
• 176 pages

About the Author
Nicky Marsh is Lecturer in the Department of English at the University of Southampton.

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• Sales Rank: #13135844 in Books
• Brand: Brand: Bloomsbury Academic
• Published on: 2009-07-28
• Released on: 2009-07-28
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .69" w x 6.14" l, 1.25 pounds
• Binding: Hardcover
• 280 pages

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"Clear, wide-ranging, and full of variety. This volume provides an accessible, and stimulating introduction to the study of Shakespeare, and is particularly fascinating for its extensive coverage of useful detail, its carefully staged treatment of particular topics, and for its overview of the productive tensions that characterise this vibrant field of study." Professor John Drakakis, Department of English Studies, University of Stirling, UK.

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Andrew Hiscock is Professor of English at Bangor University, UK.

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• Sales Rank: #4545243 in Books
• Brand: Brand: Thoemmes
• Published on: 2006-03-24
• Released on: 2006-03-24
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .85" w x 5.50" l, 1.05 pounds
• Binding: Paperback
• 420 pages

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Review
Reference & Research Book News, August 2006 (mention)

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Marilyn Fischer, University of DaytonJudy D. Whipps, Grand Valley State University

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A comprehensive critical analysis of the most important Shakespearean critics, editors, actors and directors. This volume focuses on Shakespeare's reception by the major modern critics.>

• Sales Rank: #5911236 in Books
• Brand: Brand: Bloomsbury Academic
• Published on: 2012-05-24
• Released on: 2012-05-24
• Original language: English
• Number of items: 1
• Dimensions: 9.39" h x .90" w x 6.31" l, 1.05 pounds
• Binding: Hardcover
• 232 pages

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About the Author
Hugh Grady is Professor of English at Arcadia University, USA.

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Blasted has been labelled as one of the landmark plays of post-war British theatre, achieving its iconic status and, indeed, its notoriety, very quickly. Sarah Kane's suicide in 1999 consolidated a process of singling-out that had begun four years earlier with the 'national outrage' initiated by the media's scandalised response to the premiere of Blasted. The brutal content of the play resulted in much-quoted hostility from the critics. Academic attention to the play has begun a process of re-evaluation, debating the production and reception of the play and key issues including its status as a classic example of ‘in-yer-face' drama.

This guide provides a comprehensive critical introduction to Blasted, giving students an overview of the play's significance, a brief biography of Sarah Kane and a guide to socio-political background; a detailed analysis of the play's structure, style and characters; an analysis of key production issues and choices; an overview of key productions from the 1995 Royal Court premiere to today; and a chapter exploring possibilities and exercises for practical work on the play. An annotated guide to further reading highlights key secondary material including useful websites.

• Sales Rank: #2856903 in Books
• Brand: Brand: Bloomsbury Academic
• Published on: 2008-11-08
• Released on: 2008-11-08
• Original language: English
• Dimensions: 7.60" h x .40" w x 5.00" l, .30 pounds
• Binding: Paperback
• 136 pages

Features

• Used Book in Good Condition

Review
"An informative and vital exploration of Kane's play, its various contexts and wider theatrical possibilities. Helen Iball's characteristically smart and engaging analysis draws together different forms of knowledge of Blasted, and invites its reassessment as part of the properly and intrinsically revolutionary process that constitutes morally re-evaluative theatre practice." - Professor David Ian Rabey, Drama and Theatre Studies, Aberystwyth University, UK

Mention —Book News, November 2008

'This accessible, student-friendly publication reminds us once again of Kane's status as a playwright with significant global impact' English Oxford Journal, 2010

Sarah Kane's Blasted 9780826492036 Briefly reviewed in the Year's work in English Studies journal, vol 89, No. 1 'This is the most ambitious treatment of the play to date in terms of both its analysis and revaluation of the play to date in terms of both its analysis and revaluation of the play and its inclusion of new interview material. Iball provides fascinating analysis of the play in terms of the importance that space within the hotel setting provides, and with it the body as another form of space that is marked out.'

"An informative and vital exploration of Kane’s play, its various contexts and wider theatrical possibilities. Helen Iball’s characteristically smart and engaging analysis draws together different forms of knowledge of Blasted, and invites its reassessment as part of the properly and intrinsically revolutionary process that constitutes morally re-evaluative theatre practice." - Professor David Ian Rabey, Drama and Theatre Studies, Aberystwyth University, UK

Mention –Book News, November 2008

'This accessible, student-friendly publication reminds us once again of Kane’s status as a playwright with significant global impact' English Oxford Journal, 2010

Sarah Kane’s Blasted 9780826492036 Briefly reviewed in the Year’s work in English Studies journal, vol 89, No. 1 'This is the most ambitious treatment of the play to date in terms of both its analysis and revaluation of the play to date in terms of both its analysis and revaluation of the play and its inclusion of new interview material. Iball provides fascinating analysis of the play in terms of the importance that space within the hotel setting provides, and with it the body as another form of space that is marked out.’

About the Author
Helen Iball is Lecturer in Theatre at the Workshop Theatre, School of English, University of Leeds, UK.

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0 of 0 people found the following review helpful.
Waste of Money
By Amazon Customer
If you thought that a $15 copy of this book might contain the actual play being analyzed, to which the description of the product is conveniently vague about, you would be wrong. I even read some of it, admittedly out of some frustration. Boring writing, bland description, and typos. My opinion, a good old fashioned rip off. Enjoy. Or don't.

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~ Ebook Download A Reader in New Religious Movements: Readings in the Study of New Religious Movements (Religious Studies and Philosophy), by George D. Chr

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There are over 600 New Religious Movements (NRMs) in Great Britain alone, and more than 2000 in the United States. A Reader in New Religious Movements provides an introduction to the main teachings of a selection of these organizations, focusing on those that are well established in the West. The contemporary―and in some cases controversial―NRMs covered include the Unification Church, the International Society for Krishna Consciousness, the Family, Osho, Soka Gakkai International and the Western Buddhist Order.

• Sales Rank: #3746433 in Books
• Published on: 2006-05-10
• Released on: 2006-05-10
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .90" w x 6.69" l, 1.65 pounds
• Binding: Paperback
• 442 pages

Review

'This is an anthology for which I have been waiting a long time. It is not a collection of short gobbets, but, far more usefully, an anthology of substantial readings with helpful and authoritative introductions to each of the new religions included. There is also a good selection of texts produced by organisations that have responded to new religions. Those of us who teach in the area are indebted to George Chryssides and Margaret Wilkins for providing a superb resource that will be a core text for courses on new religious movements for many years to come. I warmly recommend this Reader in New Religious Movements.'

Christopher Partridge, Professor of Contemporary Religion, University of Chester

'Chryssides and Wilkins' reader not only presents an excellent selection of hard-to-find source material on New Religions, but it also provides a representative selection of counter-movement material. A collection of this kind should prove especially useful for courses on New Religious Movements.'

James R. Lewis, Lecturer of Religious Studies, University of Wisconsin, and author of The Oxford Handbook of New Religious Movements

'This is an extraordinarily and uniquely useful collection of writings not about, but by, founders and members of seven of the better-known 'cults' or new religious movements. The editors supply an introduction, and helpful orientations to each of the nine sections on the movements' origins, beliefs and practices. The volume concludes with some responses to new religions by 'cult-watching groups', the European Union and Christian Churches, and suggestions for further reading from both primary and secondary sources. I recommend this invaluable resource to scholars, clerics and libraries in every school, college and university that has the slightest interest in new religions.'

Eileen Barker, Professor Emeritus of Sociology with Special Reference to the Study of Religion, London School of Economics

"This is an excellent anthology and sourcebook on a number of prominent new religious movements, containing original writings of several founders and members of some of the more controversial and well-known 'cults.' The editors have assisted the reader by furnishing substantial introductions to segments of the volume, setting the selections within a sociological informed context.... This book is a valuable reference for scholars and laypersons alike, as they try to comprehend the continuing development of new religious movements in contemporary societies."

James T. Richardson, Journal of Church and State, Spring 2007

(James T. Richardson. Journal of Church and State, Spring 2007)

'This is an extraordinarily and uniquely useful collection of writings not about, but by, founders and members of seven of the better-known 'cults’ or new religious movements. The editors supply an introduction, and helpful orientations to each of the nine sections on the movements’ origins, beliefs and practices. The volume concludes with some responses to new religions by 'cult-watching groups’, the European Union and Christian Churches, and suggestions for further reading from both primary and secondary sources. I recommend this invaluable resource to scholars, clerics and libraries in every school, college and university that has the slightest interest in new religions.'

Eileen Barker, Professor Emeritus of Sociology with Special Reference to the Study of Religion, London School of Economics

“This is an excellent anthology and sourcebook on a number of prominent new religious movements, containing original writings of several founders and members of some of the more controversial and well-known 'cults.’ The editors have assisted the reader by furnishing substantial introductions to segments of the volume, setting the selections within a sociological informed context…. This book is a valuable reference for scholars and laypersons alike, as they try to comprehend the continuing development of new religious movements in contemporary societies.”

James T. Richardson, Journal of Church and State, Spring 2007

(Sanford Lakoff)

About the Author
George D. Chryssides is Honorary Research Fellow in Contemporary Religion at the University of Birmingham, UK.

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^ Download PDF Dylan and Cohen: Poets of Rock and Roll, by David Boucher

Download PDF Dylan and Cohen: Poets of Rock and Roll, by David Boucher

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Bob Dylan and Leonard Cohen are widely acknowledged as the great pop poets of the 1960s, transforming the popular song into a medium for questionng the personal, social, and political norms of their times. They emerged at a time when the music industry was transforming the revolutionary sound of black music into something bland, homogenous, and fit for mass consumption. For many members of their generation, Dylan and Cohen were able to articulate what they were feeling and could not express: anti-establishement anger, angst, and despondency.

Dylan and Cohen is a fascinating political, psychological and artistic profile of these two iconic writers and performers. With reference to both biographical details and lyrics. David Boucher explores their similarities and differences, tracing the development of religious political, and social themes in their work and the ways in which those ideas engaged a new audience.

A must-read for all serious fans of either Dylan or Cohen, this book will also engage anyone interested in the North America of the 1960s, or more generally in the relationship between music, identity and politics.

• Sales Rank: #1070245 in Books
• Brand: Brand: Bloomsbury Academic
• Published on: 2004-04-01
• Released on: 2004-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .58" w x 6.00" l, .81 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review
“….If you think it’s only right and proper that our finest songwriters are treated with the same academic respect as Shakespeare and Milton, then you’re in for a fascinating read.” –Uncut, September 2004

“Those researching the course of modern culture will no doubt find the heavily annotated work of use.” – Kerry Dexter, Dirty Linen #114, October / November 2004

"...the dearth of Cohen interpretations makes this book valuable. Recommended." —Choice, November 2004 (CHOICE)

Reviewed in Record Collector (UK) February 2005 issue by Patrick Humphries (Patrick Humphries)

“…the dearth of Cohen interpretations makes this book valuable. Recommended.” –Choice, November 2004 (CHOICE)

About the Author
David Boucher is Professor of Political Theory and Head of the School of European Studies at Cardiff University, UK and Deputy Pro-Vice-Chancellor for Staffing and Diversity.. He is the Chairman of the Trustees of the Collingwood Society and Director of the Collingwood and British Idealism Centre at Cardiff

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17 of 18 people found the following review helpful.
Take This Waltz
By Daniel
What makes this book such a unique and significant contribution to its genre is that it is written with the insight and sensitivity of a spirit that seems deeply attuned to those of its subjects. Not only does the reader come away with a better understanding of the historical times and political contexts that shaped these men, and the personal struggles and psychological bents that motivated their writing, but also with a clearer understanding of what attracts their devotees to their work.

Throughout the book, Boucher weaves explorations of various aspects of the lives and cultural context of Dylan and Cohen that strongly affected them and their work. These include the civil rights movement, drugs, women, sexuality, God and religion, what it means to be reluctantly identified as the voice of a generation, and -- particularly for Cohen -- the holocaust. Boucher also explores the influence of other artists on their work, from Woody Guthrie for Dylan to Lorca for Cohen, as well as the influence that Dylan and Cohen had on each other.

Just as Dylan and Cohen make poetry an accessible part of popular culture, with equal skill Boucher makes philosophy of art and interpretation accessible as well. He points out that our experience of lyric poetry is informed by the questions we bring to it and he explains that the richest experience is to be had when the most appropriate questions are asked. Boucher uses the theories of several philosophers such as R. G. Collingwood, Henry Jones, and Michael Oakeshott, to identify which questions are most appropriately asked of particular works at particular moments in the artists' creative development. He also shows the fruitlessness of asking the wrong kind of questions of a particular poem, as is the tendency of many thinkers. He describes various forms of artistic expression: pseudo-art, or art as magic; art as the expression of emotion, or imaginative art; and inspirational art, or poetry which delights in images. He then demonstrates how, at various stages in Dylan's artistic development, his work takes all three forms of expression, whereas Cohen's work primarily takes the form of the last two. He then offers examples from their poetry to illustrate which form(s) of expression is/are being inhabited by a particular work and he supports his demonstrations with quotations about their work from the artists themselves.

Finally, Boucher helps to bring the period to life for his reader by including several pictures of book covers, concert and film posters, magazine covers and various photographs. The overall result of the book is that Boucher successfully positions his readers to have a richer experience and a deeper understanding and appreciation of the lyric poetry of Bob Dylan and Leonard Cohen.

13 of 14 people found the following review helpful.
Poetry Always was the New Rock & Roll
By A Customer
David Boucher has written a book that examines in detail the contribution of both artists to the worlds of both literature and rock & roll. In his intoduction he looks at the progress of Cohen from serious poet to rock & roll recording artist and performer. This transition cost him status in the literary world but aided by the legendary "golden voice" and some consummate musicians it allowed him to reach a hitherto undreamed of audience.
Dylan, whom he refers to as "The Changing Man" in Chapter Three, was the chameleon-like performer who picked up, and discarded new personas and new musical styles at the drop of his very famous hat. The obvious example here is the infamous "electric tour" where Dylan was heckled and called "Judas". This abuse was, the book shows, not only for his perceived betrayal of the acoustic folk movement, but also a reaction to the contempt with which Dylan treated his audience. Dylan had always been a confrontational performer, and his response to such attacks was to become louder and less acoustic than ever. What David Boucher also shows is that this signified a shift from the community centred ethic of the folk movement to the excessive individualism and nihilism of the Beat poets who through the drug culture wanted, like Rimbaud, to experience the extremes.
In other chapters the myriad influences on both performers are examined as well as their involvement with political and religious organisations. Finally David Boucher gives us an insight into the road travelled by both men in search of their own personal salvation.
Bob Dylan and Leonard Cohen are complex men and complex performers. To listen to, or to read the works of either man is always challenging. In this book the author has written an analysis that is equally challenging exploring, as it does, the anger and the angst of the 1960s and beyond. I enjoyed every minute of the challenge.

4 of 5 people found the following review helpful.
Veterans of Rock Poetry
By A Customer
This is the only book I know of that compares both Bob Dylan and Leonard Cohen. I found it really useful in understanding not only their status as icons of their generation, but also in discovering the complex context out of which they emerged. It has a very wide range of reference including discussions of the difference between poetry and song lyrics, but what was fascinating was the characterisation of the completely different world views of the Beat generation and of the folk movement. It wasn't just the electric guitar that shocked the folkies, it was also the move from collectivism, a concern for the community, to a more individualistic and nihilistic mind-set. No other book on Bob Dylan or Leonard Cohen sets the context so well, or discusses the lyrics with such adeptness.

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>> Ebook Studying English LiteratureFrom Bloomsbury Academic

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Studying English Literature offers a link between pre-degree study and undergraduate study by introducing students to:
- the history of English literature from the Renaissance to the present;
- the key literary genres (poetry, prose, and drama);
- a range of techniques, tools and terms useful in the analysis of literature;
- critical and theoretical approaches to literature.

It is designed to improve close critical reading skills and evidence-based discussion; encourage reflection on texts' themes, issues and historical contexts; and demonstrate how criticism and literary theories enable richer and more nuanced interpretations.
This one-stop resource for beginning students combines a historical survey of English literature with a practical introduction to the main forms of literary writing. Case studies of key texts offer practical demonstrations of the tools and approaches discussed. Guided further reading and a glossary of terms used provide further support for the student. Introducing a wide range of literary writing, this is an indispensable guide for any student beginning their study of English Literature, providing the tools, techniques, approaches and terminology needed to succeed at university.

• Sales Rank: #5252519 in Books
• Published on: 2010-04-28
• Released on: 2010-04-28
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .79" w x 6.26" l, .95 pounds
• Binding: Paperback
• 264 pages

Review
'This is an excellent introduction to studying English at university. It encourages students to be active, independent learners, helping them to develop the close reading and critical thinking skills necessary for a successful English degree. It's written in a fun, easy-to-follow style, with up-to-date suggestions for ways of understanding different literary periods and much helpful advice.'
- Professor Sharon Ruston, Chair in Nineteenth-Century Literature and Culture, University of Salford, UK

'Studying English Literature contains literary and social history and a glossary of terms, balances thoughtful generalizations with careful case studies, and explains how best to use literary theory and secondary criticism (and how not to use it). This excellent guide will be consulted often by undergraduates studying literature, if they are wise.'
- Merritt Moseley, Professor of Literature and Language, The University of North Carolina at Asheville, USA

'This is an excellent introduction to studying English at university. It encourages students to be active, independent learners, helping them to develop the close reading and critical thinking skills necessary for a successful English degree. It's written in a fun, easy-to-follow style, with up-to-date suggestions for ways of understanding different literary periods and much helpful advice.’
- Professor Sharon Ruston, Chair in Nineteenth-Century Literature and Culture, University of Salford, UK

'Studying English Literature contains literary and social history and a glossary of terms, balances thoughtful generalizations with careful case studies, and explains how best to use literary theory and secondary criticism (and how not to use it). This excellent guide will be consulted often by undergraduates studying literature, if they are wise.’
- Merritt Moseley, Professor of Literature and Language, The University of North Carolina at Asheville, USA

About the Author

David Higgins is Lecturer in English Literature at the University of Leeds, UK.

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