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Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. Written in clear language by leading academics, they provide an indispensable introduction to key topics, including:
* Introduction to authors, texts, historical and cultural contexts
* Guides to key critics, concepts and topics
* An overview of major critical approaches, changes in the canon and directions of current and future research
* Case studies in reading literary and critical texts
* Annotated bibliography (including websites), timeline, glossary of critical terms.
The Modernism Handbook is an invaluable introduction edited by Philip tew and Alex Murray to British Modernism as a literary movement.
- Sales Rank: #3619319 in Books
- Published on: 2009-08-04
- Released on: 2009-08-04
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .56" w x 6.14" l, .90 pounds
- Binding: Paperback
- 272 pages
Review
"This is the best guide to the Scylla and Charybdis of Modernism; the quickest and easiest way of navigating the cultural historical currents, and the surest means of edging along the critical and theoretical reefs that so many other textbooks have foundered on."
- Dr Rod Mengham, University of Cambridge, UK
Normal 0 false false false MicrosoftInternetExplorer4 !— /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin-bottom:.0001pt;mso-pagination:widow-orphan;mso-fareast-}@page Section1{size:8.5in 11.0in;mso-header-mso-footer-mso-paper-source:0;}div.Section1{page:Section1;}—> /* Style Definitions */ table.MsoNormalTable{mso-style-name:"Table Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-parent:"";mso-padding-alt:0in 5.4pt 0in 5.4pt;mso-para-mso-para-margin-bottom:.0001pt;mso-pagination:widow-orphan;mso-ansi-language:#0400;mso-fareast-language:#0400;mso-bidi-language:#0400;}[Negative Review DO NOT USE] "Thiscollection seeks to introduce students to literary and cultural modernism andto current trends in modernist studies. Unfortunately, the book does not linkthese aims in a compelling way. On the one hand, it considers authors, texts,and terms in long-established ways: Modernism is a response to the failed,shattered, or traumatic experiences of war, industrialization, or urbanizationand a self-conscious rupture with the past that scholars must themselves beself-conscious about. On the other hand, it surveys recent scholarship in thefield, addressing feminist, queer, and postcolonial readings but ultimatelyemphasizes historicist work on material culture of modernism... But thecollection fails to answer the crucial question of how to integrate these secondarysources with the teaching of primary texts, around which most undergraduatecourses remain organized. It is of little use, therefore, to faculty seeking toteach the most recent developments in the field. Who, then, is this book for? It is tooprofessionalized to serve as an introduction for most undergraduate courses andtoo simplistic for most graduate students. For these reasons, and because ofthe careless editing (misspellings, solecisms, and other infelicies abound),the answer is, regrettably, no one. Summingup: Not recommended." —D. Stuber, Choice,April 2010 (CHOICE)
"The books in this series of Literature and Culture Handbooks are aimed primarily at undergraduate students which aim of acting as both a guide and a reference text reflecting the advances in academic studies." The Use of English, Spring 2010
Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable{mso-style-name:"Table Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-parent:"";mso-padding-alt:0in 5.4pt 0in 5.4pt;mso-para-mso-para-margin-bottom:.0001pt;mso-pagination:widow-orphan;mso-ansi-language:#0400;mso-fareast-language:#0400;mso-bidi-language:#0400;}[Negative Review DO NOT USE] “Thiscollection seeks to introduce students to literary and cultural modernism andto current trends in modernist studies. Unfortunately, the book does not linkthese aims in a compelling way. On the one hand, it considers authors, texts,and terms in long-established ways: Modernism is a response to the failed,shattered, or traumatic experiences of war, industrialization, or urbanizationand a self-conscious rupture with the past that scholars must themselves beself-conscious about. On the other hand, it surveys recent scholarship in thefield, addressing feminist, queer, and postcolonial readings but ultimatelyemphasizes historicist work on material culture of modernism… But thecollection fails to answer the crucial question of how to integrate these secondarysources with the teaching of primary texts, around which most undergraduatecourses remain organized. It is of little use, therefore, to faculty seeking toteach the most recent developments in the field. Who, then, is this book for? It is tooprofessionalized to serve as an introduction for most undergraduate courses andtoo simplistic for most graduate students. For these reasons, and because ofthe careless editing (misspellings, solecisms, and other infelicies abound),the answer is, regrettably, no one. Summingup: Not recommended.” –D. Stuber, Choice,April 2010 (CHOICE)
The book uses a number of aids- from boxes highlighting important concepts or authors, to neat summaries of chapters, to a detailed glossary of terms and concepts, to an excellent annotated bibliography- to help students coming to modernism for the first time gain a foothold in what is an incredibly large field of study. It is an excellent introduction to what is a nebulous and ungainly topic. (Sanford Lakoff)
About the Author
Philip Tew is Professor of English (Post-1900 Literature) at Brunel University, UK, Director of Brunel's Centre for Contemporary Writing and Director of the UK Network for Modern Fiction Studies.
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