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Keynotes and Discords (Late Victorian and Early Modernist Women Writers), by George Egerton
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George Egerton was the pen name of Mary Chavelita Dunne (1859-1945). She was the most substantial and striking of the women writers of the fin de siècle who developed the modern short story, with its focus on the 'psychological moment', its exploration of the interior landscapes of human experience, and its only sporadic commitment to a realist aesthetic. This volume contains her two best collections of short stories, Keynotes (1893) and Discords (1895).
An incipient modernism can clearly be identified in her stories: there is a recurrent focus on the inner consciousness of their female subjects, revealed through reverie or dream, or through intense moments of psychological and emotional connection. The stories are full of wanderers, and have the sense of dislocation characteristic of literary modernism; their compression and resistance to narrative closure confirm their alignment with the emergent aesthetic. Coupled with this aesthetic experimentation are explorations of female sexual desire, new gender identities and the pains and pleasures of maternity. Thirty years before Virginia Woolf's annunciation of modernism in the 1920s, when she presented this 'new' aesthetic movement as an abrupt break with a worn-out nineteenth-century realism. George Egerton had penetrated the emotional and psychological tragedies of apparently unexceptional women's lives and powerfully translated these tragedies into fiction. She forged a new way of expressing women's experience: her status as an important and compelling writer is indisputable.
- Sales Rank: #2194131 in Books
- Published on: 2003-12-21
- Released on: 2003-12-21
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .42" w x 6.14" l, .62 pounds
- Binding: Paperback
- 196 pages
About the Author
Sally Ledger is a Reader in Nineteenth-Century Literature in the School of English and Humanities at Birkbeck College, University of London.
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1 of 1 people found the following review helpful.
Unmissable new edition of neglected classic
By Georgie Eliot
This new edition of George Egerton's (pseudonym for Mary Chavelita Dunne) 1880's two collections of short stories, here produced in one volume, should be celebrated as an important literary achievement. Manchester Press and the text's editor Sally Ledger have taken a brave step in re-publishing Egerton's emotional, dreamy short stories which often end with a strongly tragical punch to the reader's "mental stomach". George Egerton should already be on the syllabus of A'levels and university courses throughout the English-speaking world. She is not but perhaps this book will achieve something more important: getting George Egerton back in the minds of the reading public. She is daring, fresh and, at times and in certain stories, unputdownable.
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